这个145平方米的建筑群位于圣保罗最重要的建筑之一，也是圣保罗现代建筑的一个标志，对如何组织环境以使律师事务所的项目适应这个空间提出了挑战。Edifico Itália，建于1953年，由建筑师Franz Heep设计，其植入物在每个楼层都产生了一个圆形的形状，这成为设计时的一个挑战。它的外墙是完全的砖顶，这使得在套房里的人可以控制进入空间的光线，同时也给办公室里的人带来非常愉快的视觉效果。所选择的材料在给这个地方带来认同感方面起到了关键作用。

The intervention in this 145m² complex, located in one of the most important buildings in São Paulo and an icon of modern São Paulo architecture, provided a challenge in how to organize the environments so that the Law Office’s program would fit into the space. Edifico Itália, built in 1953, designed by the architect Franz Heep, has an implantation that generates a rounded shape on each floor, which becomes a challenge when designing. Its façade is entirely made of brise-soleil, which allows those inside the building to control the light entering the spaces, besides bringing very pleasant visuals to those inside the office. The materials chosen played a fundamental role in bringing identity to the place.

选择将两个圆形柱子和接待处的天花板暴露在混凝土中，是为了突出这个独特建筑的结构。茶水间和盥洗室中使用的液压瓦片反映了现代风格，但又不失这种材料的本质。茶水间被作为办公室团队的庆祝空间，除了作为公司会议的支持外，他们还可以在日常工作中获得减压的时刻。由于该公司的身份，使其全部采用蓝色的意图，也有建立空间的构图统一性的意图，创造一个大的单体。这种整体式建筑通过木板完全打开和关闭，除了适合不同的用途外，还为空间带来了不羁和个性。

The choice of leaving the two circular pillars and the reception’s ceiling in exposed concrete, refers to a desire to highlight the structure of this unique building. The hydraulic tiles used in the pantry and the restrooms mirror a contemporary look without losing the essence of this material. The pantry is placed as a celebrative space for the office team, where they can have moments of decompression during the routine, as well as serving as a support for company meetings. The intention of making it all in the blue color because of the company’s identity, has also the intention of establishing a compositional unity of the space, creating a large monoblock. This monoblock opens and closes completely by means of wood panels, bringing irreverence and personality to the space, besides being suitable for different uses.

和这个环境一样，浴室也遵循这种构图上的统一，为项目的调色板带来更多的色彩，让人在整体面前得到放松。在接待处，广泛的锁匠书柜在项目中创造了一个主角，因为它定义了一条分界线，允许在一个光和剥离的空间中分离，存储客户的收藏书籍。其他环境（董事会、会议和办公室）是围绕它设计的，是与自然光不断互动的空间，可以通过隔板的透明度看到它们。此外，在办公室里，创建了一个弯曲的墙，从入口处和接待区可以看到，让人想起建筑本身的形状。

Like this environment, the restrooms also follow this compositional unity, bringing more colors to the project’s palette and allowing a relaxation before the whole. In the reception area, the extensive bookcase made of locksmith creates a protagonism in the project, because it defines a demarcation line that allows the separation of the spaces in a light and uncluttered way, storing the client’s book collection. The other environments (board of directors, meetings, and office), which are designed around it, are spaces of constant interaction with natural lighting, and can be seen through the transparency of the partitions. In addition, in the office, a curved wall was created, seen from the entrance and the reception area, reminding the shape of the building itself.

Architects : RAWI Architecture + Design
Living Area : 145 m²
Year : 2020
Photographs : Alexandre Disaro
Manufacturers : Alberflex, Averaldo Decorações, Bastos Esquadrias, Cavaletti, Cremme, Fernando Jaeger, Ladrilhos, Lumini, Líder Interiores, Minimal Design, Novaes Ferreira, REKA, Voko
Architect in Charge : Raphael Wittmann
Collaborators : Mathews Fernandes, Rodrigo Marques, Vanessa Izidorio, Wilmar Souza Junior
Interior Design : Raphael Wittmann
Lighting Design : Raphael Wittmann
Installation Design : Reinaldo França
Air Conditioning Project : STR Ar Condicionados
Management : RAWI Architecture + Design
Construction Company : Majore Empreendimentos
Landscaping : Catê Poli Paisagismo
City : São Paulo
Country : Brasil