为了实现所有社会区域的最大整合，包括一个现有的大露台，建筑师Fernanda Marques增加了可以永久打开或关闭的旋转门。是否合并所有区域的决定权在居民手中，因为他们可以选择将门放在什么位置。
In order to achieve the maximum integration of all social areas, including a large existing terrace, the architect Fernanda Marques, added pivoting doors that could be permanently opened or closed. The decision to merge all areas or not then resided with the residents, as they could choose what position to have the doors.
“他们拥有一些优秀的物品和图片，更不用说看到他们的收藏品增长的大量热情。他们找到了合适的建筑师。我喜欢艺术，能在这方面帮他们一把，我感到非常高兴。”建筑师强调说，他帮助这个家庭组成了一个庞大的收藏，包括来自艺术家的作品。James Kudo, Marcia Xavier, Betina Vaz, Estela Sokol, Guilherme Dable, Arthur Lescher 和 Laura Vinci等艺术家的作品。
“They possessed some excellent objects and picture, not to mention a lot of enthusiasm to see their collection grow. They found the right architect. I adore art and it was a great pleasure to lend them a hand in this aspect”, highlights the architect, who helped the family compose a substantial collection that includes works from artists like: James Kudo, Marcia Xavier, Betina Vaz, Estela Sokol, Guilherme Dable, Arthur Lescher and Laura Vinci among others.
为了强调这样一个具有代表性的收藏，一些墙壁被故意留空。”我的挑战是在风格完全不同的作品之间创造一种有趣的对话，以一种他们有自主权的方式展出，而不是简单地在构图中的一个片段，”费尔南达回忆说。
With the objective of emphasizing such a representative collection, some walls were deliberately left empty. “My challenge was creating an interesting dialogue between works with completely different styles, exhibiting them in a way that they had autonomy and were not simply a piece within the composition,” resumes Fernanda.
凭借对极简主义的品味，室内项目的重点是方便流通的条件，以及用当代设计的标志性作品疏于布置的区域，例如：让-马雷-马绍德设计的一号航站楼躺椅、深泽直人的Papilio扶手椅，以及帕特里克-诺盖的P22扶手椅。
With a taste for minimalism, the interiors project focuses on conditions for easy circulation and areas that are sparsely furnished with iconic pieces of contemporary design, such as: the Terminal One chaise designed by Jean Marei Massaud, the Papilio armchairs by Naoto Fukasawa, and the P22 armchairs by Patrick Norguet.
在众多的兴趣点中，技术照明项目受到了特别关注。通过精确地分配直接和间接光线的数量，照明作为聚光灯出现在艺术品上，伴随着墙壁，或只是将注意力引向系列中的某件家具。
Amidst numerous points of interest, special attention was dedicated to the technical lighting project. Through precisely dosing the amount of direct and indirect light, the lighting appears as spotlights on the artwork, accompanying the walls, or simply directing the attention to one of the furniture from the collection.
Architects: Fernanda Marques Arquitetos Associados
Area : 3552 ft²
Year : 2017
Photographs :Fernando Guerra | FG+SG, Ricardo Bassetti
Manufacturers : AG Movelaria, Foco luz e desenho, Pérola Marmores e Granitos, T2G, kitchens
City：São Paulo
Country：Brazil