该项目在Costa Esmeralda执行，这是一个拥有1000公顷和超过3公里的大西洋海岸的私人开发项目，距离布宜诺斯艾利斯市390公里（Barrio Golf II – Lot 438）该项目是在对地形进行分析后诞生的。现有的土地低于街道水平1.5米，是沙丘的最低点，而紧挨着它的地段的高度高于街道水平8米。

The project was executed in Costa Esmeralda, a private development with 1000 ha and more than 3 km of Atlantic coast, 390 km away from the city of Buenos Aires (Barrio Golf II – Lot 438) The project was born after the analysis of the topography. The existing land was 1.5 meters below street level, being the lowest point of the dune, while the lot immediately adjacent to it had a height of 8 meters above street level.

这就是说，两个相邻地块之间的沙丘坡度是一个非典型特征，我们决定尊重它并在其中发挥主导作用。我们产生了一个一楼的天井类型，它的侧面向这个峡谷开放，作为空间的第四面。我们明白，强迫项目或地段达到邻居的植入高度是不值得的。

That is to say that the slope of the dune between two neighboring lots was an atypical feature that we decided to respect and play a leading role in. We generated a first floor with a patio typology that opens on its side to this ravine as a fourth facade of the space. We understood that it was not worth forcing the project or the lot to reach the height of implantation of the neighbor.

事实上，在行人层面上，项目离那个开放的院子越低，邻居之间就会产生更多的亲密感。该计划被介入了一个强有力的景观建议，以固定沙丘并给房子的正交建筑带来运动。

In fact, the lower the project, at pedestrian level, from that open courtyard, the more intimacy was generated between neighbors. The plan was intervened with a forceful landscape proposal, to fix the dune and give movement to the orthogonal architecture of the house.

业主希望这个项目的精神能让每个角落都染上夏天和享受的感觉。该项目的主要前提是打破外部内部的门槛，挑战房屋的经典组织。我们决定生成一个盲目的外墙，以使它从街道上看去具有亲密感和神秘感。当木门打开，用户进入时，他首先接触的是外部。

The owners wanted the spirit of the project to tinge every corner with the feeling of summer and enjoyment. The main premise of the project was to break the exterior interior threshold, challenging the classic organization of a house. We decided to generate a blind facade to give it intimacy and mystery from the street. The moment the wooden gates open and the user enters, his first contact is with the exterior.

没有入口门，人们从街上打开大门，穿过第一个半覆盖的屋顶空间（一个车库，在它的木墙后面隐藏着一个看不见的服务区），完全用木头覆盖，人们发现了庭院，项目的核心。 一个16米长的游泳池，由混凝土和火山石制成，伴随并引导着用户通过木质甲板进入房屋内部的队伍。

There is no entrance door, one opens the gate from the street and passes through a first semi-covered roof space (a garage that hides behind its wooden walls an invisible service area) and completely covered in wood, and one discovers the courtyard, the heart of the project. A 16-meter-long pool, made of concrete and volcanic stone, accompanies and guides the user’s procession through a wooden deck to the interior of the house.

该提案和建筑计划主要产生于3个体量。一个公共区域（客厅、餐厅、厨房、茶水间、厕所）在地块的后面，有大窗户面向后花园和内院。另一个半公共的体量，有客房。这个体量被放置在地块的西侧，它从街道延伸到地块后面的公共体量前7米。所有的房间都可以直接进入院子。

The proposal and architectural plan are mainly generated in 3 volumes. A public sector (living dining room kitchen pantry toilette) at the back of the lot with large windows facing the back garden and the inner courtyard. Another semi-public volume, with the guest rooms. This volume was placed on the west side of the lot and its extension is from the street to 7 meters before the public volume at the back of the lot. All the rooms have direct access to the courtyard.

最后，在顶层有一个供私人使用的体量或盒子，项目的主人套房就在这里。这个石墨灰色的体量支撑着底层，没有重叠，并弥合了公共区域和半公共区域之间的距离（7米的差异），以极大的亮度产生了一个半遮盖的画廊和一楼项目（公共和半公共）之间的内部连接走廊。

Finally, a volume or box on the top floor for private use, where the master suite of the project is located. This volume, in graphite gray, supports the ground floor without overlapping, and bridges the distance between the public area and the semi-public area (the 7 meters difference), generating with great lightness a semi-covered gallery and an interior connecting corridor between the first-floor program (public and semi-public).

走廊或桥梁允许来自西方的阳光通过其对齐的窗户进入画廊。这条走廊在功能上充当了住房项目的一个听觉喇叭。该项目在后花园结束，有另一个平台和一个4 x 4米的地下火坑，由坚木制成，是一个在开放的天空下聚会和烹饪的空间。这个火坑并不影响该地段的景观。

The corridor or bridge allows the sun from the west to enter the gallery through its aligned windows. This corridor functionally acts as an auditory bellow of the housing program. The project ends in the back garden with another deck and a 4 x 4-meter underground fire pit, made of quebracho, a space for meeting and cooking under the open sky. This fire pit does not interrupt the views of the lot.

所选择的材料是：一楼外墙用石头，上层用石墨色的石膏，黑色DVH窗，外部地板和半覆盖的墙壁用木材，天花板用裸露的混凝土，内部地板和浴室墙壁用平滑的混凝土。所有的浴室都有天窗照明。

The materials chosen were stone for the first floor façade, graphite-colored plaster for the upper floor, black DVH windows, wood for exterior floors and semi-covered walls, exposed concrete for ceilings and smoothed concrete for interior floors and bathroom walls. All bathrooms are illuminated by skylights.

房子的室内设计是由业主自己设计的，Mayra Garabento，独家家具品牌Casa Esteña的所有者。这个名字，把房子的全部内容都囊括了。Casa Esteña是那些永远的家之一，是绿色牧场中的堡垒，可以享受环境和海滩的精神。

The interior design of the house was designed by the owner herself, Mayra Garabento, owner of the exclusive furniture brand, Casa Esteña. Name that took the house in its entirety. Casa Esteña is one of those forever homes, a fortress among green pastures to enjoy the environment and the spirit of the beach.

Architects: Lucas Mc Lean Arquitecto
Area : 300 m²
Year : 2021
Photographs :Mariano Imperial
Manufacturers : Aberturas, De Stefano, FV, JOHNSON, Maderera Newton, Mobiliário, Morelli, Protex, Roca
Proyecto : Lucas Mc Lean Arquitecto
Project Collaborator : Julieta Lozada Moreto
Construction Management : Alberto Oviedo
Structural Engineering : Juan Pablo Busti
Interiorism : Casa Esteña
Landscape : Lucia Guglielmetti
City : Bosques
Country : Argentina