该项目旨在创造一个时间差,通过外部和内部,从山脚下典型的阿布鲁佐住宅到内部空间,几乎无法辨认其原来的样子。室内是一个连续的阴影和灯光的游戏,通过新的玻璃开口和材料的使用,有意想创造一个强烈的对比感。

The project was meant to create a time gap, passing through the exterior and interiors, from the typical Abruzzo home at the bottom of the mountain to the inner space which is hardly recognizable from its original looks. The interior is a continuous play with shadows and lights, created with the new glass openings and the use of materials that intentionally want to create a strong sense of contrast.

所选择的规划方法采用了一些策略:保护/激活/拆除/整合。最后的目标是摆脱临时性的分层,用解决方案取代不协调的地方,而不与周围的建筑造成太大的反差。该项目希望保护和重新激活现有的石头体积,使现有的墙体结构再次显现出来,并通过使用当代技术使其脱颖而出。倾斜的屋顶已经被拆除了,这样就不会再突出外墙了,而且给人一种短距离的单一材料的印象。

The chosen planning approach uses a number of strategies: preservation/activation/demolition/integration. The final objective was of getting rid of the temporary stratification, replacing the incongruencies with solutions, without causing much contrast with the surrounding construction. The project has wanted to conserve and reactivate the existing volume of stone by making the existing wall structure evident again and by making it stand out via the use of contemporary technologies. The pitched roof has been demolished so as not to protrude by the façade anymore and by giving the impression of a mono-material monolith of short distance.

现有的石头体积已经被处理,尽可能有效地研究自然光,扩大现有的开口。一个只有窗扇的推拉窗以一种完全不同的方式被利用,结果是没有两个独立的框架,这将限制山谷的视野和太阳光进入建筑的方式。

The existent stone volume has been treated by studying the natural light as effectively as possible, widening the existing openings. A sliding window with only a sash has been utilized in a totally unusual way, resulting in not having the division of two separate frames which would have limited the view of the valley and the way the sun rays enter the building.

一块金属板在地势较低的地方框住了一个尺寸相同的开口,它代表了一个朝向山谷和花园的美丽景观的特殊视角。该项目的一个独特的元素是,从山谷的底层开始,包括一个垂直切割的玻璃,穿过石墙,并击中地面,作为对之前房子一分为二的点头。一个固定的11米长的玻璃创造了一个想象中的建筑物的分割。

A slab of metal at the lower ground frames one of the openings of equal dimensions and it represents a privileged point of view toward the beautiful landscape of the valley and of the garden. A distinctive element of the project is the inclusion of a vertical cut of glass starting from the bottom layer at the valley, passing through the stone wall, and hitting the ground as a nod to the previous division in two of the house. A fixed 11-meter-long glass creates an imaginary division of the building.

在南边的墙上,16厘米的孔创造了一个强大的自然光源。总的想法是让一些内部空间有对比强烈的阴影和光线区域。一楼有两间卧室和一个起居室,都是全高的,还有一个金属的体积,包含一个浴室。从这个空间,人们可以欣赏到两面中央墙中的一面,也是全高的,是用木材分层的。从这里,可以看到山谷景观和梯田花园。

In the southern wall,16cm holes create a potent natural light source. The general idea was of having some internal spaces with contrasting areas of shadow and light. The ground floor contains two bedrooms and a living area, all full height, and also features a volume of metal that contains a bathroom. From this space, one can admire one of the two central walls, also at full height, which was layered in wood. From here, the view opens to the valley landscape and the terraced gardens.

在下面的楼层,有一个空间,有一个大的生活和厨房区,以及一个带有另一个金属体积的卧室,有一个浴室和悬挂式淋浴。

On the floor below, there is a space with a large living and kitchen area, and a bedroom with another metal volume with a bathroom and suspended shower.

Architects: Andrea Eusebi
Area : 160 m²
Year : 2021
Photographs :Simone Bossi
Manufacturers : Agape, FLOS, Schüco
Furniture : Eusebi Arredamenti
Engineer : Bice Coletti
City : Ofena
Country : Italy