这个项目涉及到将一个以前是办公室的空间改造成一对夫妇的房子。该空间享有Gava Mar海滩的独特景观。一幅不断变化的图画，由松树形成，在树干之间可以瞥见大海。该项目的主要概念是产生一个与外部环境相协调的自然室内景观。地平线画出了天空和大海之间不断变化的二元性，在杉本博司的作品《海景》中得到了敏感的反映。设计通过不同高度的水平线游戏突出了这种水平性，在新房子里产生了一连串的地平线。

This project involves the conversion of a space that formerly housed an office into a house for a couple. The space enjoys unique views of the Gava Mar Beach. A picture in continuous transformation, formed by pines that allow a glimpse of the sea between their trunks. The main concept of the project is to generate a natural interior landscape that is in harmony with the exterior environment. The horizon line draws the changing duality between the sky and the sea, so sensitively reflected in Hiroshi Sugimoto’s work Seascapes. The design highlights this horizontality through a game of levels at different heights, giving rise to a succession of horizons inside the new house.

层次。该项目布局通过一个开放的空间来解决，加强了自然光进入整个住宅的效果。主要的挑战是提供从所有房间欣赏风景的体验，除了唯一封闭的房间，即浴室。设计将水平和高度的变化设想为无形的边界，将不同的房间相互统一和分离。鉴于其非限制性的特点，其使用的灵活性使设计能够适应居民不断变化的需求。同时，通过强调近5米高的天花板，实现了对空间振幅的更大感知。从入口处，一个深邃的视线穿过整个房子，直达大海。

Levels: The project layout is solved through an open space that enhances the entry of natural light into the entire dwelling. The main challenge was to provide the experience of contemplating the landscape from all rooms, except the only one that is closed, the bathroom. The design conceives the changes in levels and heights as invisible boundaries that unify and separate the different rooms from each other. The flexibility of its uses, given its non-restrictive character, allows the design to adapt to the changing needs of the inhabitants. At the same time, a greater perception of spatial amplitude is achieved, emphasizing the almost 5 meters height ceilings. From the entrance, a deep view crosses the entire house to the sea.

一个雕塑般的楼梯让人进入两个不同层次的新夹层、书房和卧室。第三个水平面也被悬挂在两面围墙之间。它形成了一个长桌，也防止使用者跌落到较低的楼层。从入口处往下走几步，低矮的厨房和餐厅在垂直方向上压缩了空间。在最靠近大海的地方，空间再次被扩大。客厅被设想为一个双层高度的室内花园，在一个充满光线和自然的环境中扩大了小阳台。

A sculptural staircase gives access to the new mezzanine on two different levels, the study, and the bedroom. The third horizontal plane is also suspended between the two perimetral walls. It forms a long table that also prevents the users from falling to the lower floor. Descending a few steps from the entrance, the low-height kitchen and dining room compress the space vertically. In the place closest to the sea, the space is expanded again. The living room is conceived as a double-height interior garden, enlarging the small balcony in an environment full of light and nature.

材料性。设计提出了两种建筑策略，导致了一种统一的语言和新的空间特征。第一个策略是通过将地板和混凝土块墙面涂成白色，为房屋提供最大的光线。第二个设计策略强调了水平面。交叉层压的杉木横梁，加上榫头板，与新创造的抽象环境形成对比。材料的选择既是为了寻找一种美学，也是为了实现一种可持续的干预。自然。室内花园的存在旨在将海滩上的植被扩展到一个新的室内自然环境中。通过这种方式，该项目是一个机会，使人类更接近我们的自然起源。

Materiality: The design proposes two construction strategies that lead to a unitary language and a new space identity. The first provides maximum light to the house, by painting white the floor and concrete block walls. The second design strategy puts emphasis on the horizontal planes. Cross-laminated timber fir beams, together with the tongue-and-groove boards, contrast with the new abstract environment created. The choice of materials responds both to searching for an aesthetic and to achieving a sustainable intervention. Nature: The presence of an interior garden aims to expand the vegetation of the beach into a new interior natural atmosphere. In this way, the project is an opportunity to bring humans closer to our natural origin.

攀缘植物的垂直运动在空旷的空间中画出了一条绿叶的路径。这是关于时间中不完美和无常的内在美。活的和死的物质之间的双重性；松树的树干的不规则形状与曾经形成冷杉树干的横梁形成对比。一个介于有机物和抽象物之间的景观模糊了内部和外部的界限。一个充满平静与和谐的新风景，光线的相互作用发挥了诗意的作用。

The vertical movement of the climbing plants draws a path of green leaves in the empty space. It is about the intrinsic beauty of imperfection and impermanence in time. The duality between living and dead matter; the irregular shapes of the pine’s trunks in contrast to the beams that once formed the fir trunks. A landscape between the organic and the abstract blurs the boundaries between the inside and outside. A new scenery full of calm and harmony, where the interaction of light plays a poetic role.

Architects: Roman Izquierdo Bouldstridge
Area : 94 m²
Year : 2022
Photographs :Adrià Goula
Manufacturers : AutoDesk, Sika, Duravit, Gabarró, MARAZZI, Adobe, Balay, Indesit, Trimble, Weber Saint-Gobain
Lead Architect : Roman Izquierdo Bouldstridge
Construction : Houses Barcelona
City : Gavà
Country : Spain