这家位于马德里的Impress新诊所位于Carranza街的一个繁忙的角落，一排巨大的花岗岩灰岩将周边的街道划分开来，而内部则是细长而精致的锻铁柱，与灰岩相对应。这两个门廊之间的鲜明对比指导了设计过程：一系列圆柱形的曲线挤满了内部的聚会墙，并与锻铁柱子玩耍，把它们留在里面或外面，同时向石柱留下一个空的空间，在那里解决了大厅和等候区，始终与街道密切接触。通过这种方式，在巨大的石柱与曲线和铁柱之间创造了一种辩证的游戏，石柱被赋予了可见的空间，而曲线和铁柱则作为脆弱的平面和线条出现，接近和远离石柱。甚至铁柱本身也被涂成了红色，与花岗岩的严肃性相比，赋予了它们更多的游戏性。

This new clinic for Impress in Madrid is located on a busy corner of Carranza street, where a line of huge granite ashlars delimits the perimeter towards the street, while inside, slender and refined wrought iron columns make the counterpoint to the ashlars. This striking contrast between these two porticoes guided the design process: a series of curves in the form of cylinders crowd the interior party wall and play with the wrought iron columns, leaving them inside or outside them, while leaving an empty space towards the stone ashlars, where the lobby and the waiting area are resolved, always in close contact with the street. In this way, a dialectic game is created between the enormous stone pillars, which are given space to be seen, and the curves and iron pillars, which appear, in contrast, as fragile planes and lines that approach and move away from the ashlars. Even the iron columns themselves have been painted red, giving them a more playful character compared to the stony seriousness of the granite.

曲线的使用是我们为Impress开展的项目中反复出现的设计元素，基于其自身的标志，在功能上，它已经被揭示为小面积空间的优化器。因此，所有的公共房间都由连接的圆柱体来解决，根据需要改变其大小；反过来，消极的空间，朝向大厅，实现了非常丰富和复杂的空间质量，具有不断变化的周边，充满了自然光。其余的，诊所的所有私人功能都在地下室解决了。大厅/等候区是纵向发展的，与外部密切接触，无论是油毡地板还是漆墙，都被染成灰色，其中的白蜡木被红色的檐口清晰地勾勒出来，因其巨大的体积而显得格外突出。红色的木块门宣布了通往其他房间（牙箱、X射线和厕所）的通道，每个房间的颜色代码都在变化。因此，Impress的三种企业色彩，即红色、灰色和蓝色，在三个包厢中各占一席之地，应用得很不明确。

The use of curves is a recurring design element in the projects we carry out for Impress, based on its own logo, and functionally, it has been revealed as an optimizer of spaces on small footprints. Thus, all public rooms are resolved by concatenated cylinders, varying their size according to need; in turn, the space in negative, towards the lobby, achieves a very rich and complex spatial quality, with an ever-changing perimeter, flooded with natural light. For the rest, all the private functions of the clinic are solved in the basement. The hall/waiting area, developed longitudinally in close contact with the outside, is stained gray, both on the linoleum floor and on the lacquered walls, where the ashlars, clearly outlined by a red soffit, stand out for their massiveness. The doors, blocks of wood tinted red, announce the passage to other rooms (dental boxes, X-rays, and toilets), where the color codes change in each one of them. Thus, the three corporate colors of Impress, red, gray, and blue, star in each of the three boxes, applied indistinctly.

所有的天花板元素都旋转了45度，再次呼应了角落的位置；销售点的垂直面上铺设了地毯（一种具有声学和舒适性目标的资源）；窗帘关闭了临时使用的空间；木材的染色使其纹理得以保留，将传统材料变成了更新鲜的东西；盒子内镜子的使用产生了深度的错觉…… 所有这些空间、材料和具象的资源都是由于Impress品牌的沟通，针对的是年轻观众，据称远离传统的牙科诊所概念（白色的颜色，无菌的环境），同时追求一种设计，不仅包括视觉条件，还包括触觉和感官条件，其中对大卫-林奇的《双峰》宇宙的参考不可避免地再次出现。

All ceiling elements are rotated 45º, again echoing the corner position; the points of sale are covered with carpet on their vertical surfaces (a resource with an acoustic and comfort objective); curtains close spaces for temporary use; the dye of the wood allows to preserve its texture, turning a traditional material into something fresher; the use of mirrors inside the boxes creates illusions of depth… All these spatial, material and figurative resources are due to the communication of the Impress brand, aimed at a young audience, and allegedly far from the traditional concept of a dental clinic (white colors, aseptic environment) while pursuing a design that encompasses not only visual conditions but also tactile and sensory ones, where the reference to David Lynch’s ‘Twin Peaks’ universe inevitably reappears.

Architects : Raúl Sánchez
Area : 200 m²
Year : 2021
Photographs :Luis Asin
Project Leader : Anna Villaroya
Collaborator : Dimitris Louizos
Engineering : Mares enginyers
City : Madrid
Country : Spain