一个欢快的公寓，舒适和功能性是44平方米的环境的主要特点 – Jabuticaba工作室，由Nildo José签署，巴西建筑的新承诺，在仅仅27岁的时候，在Casa Cor圣保罗首次亮相，从5月17日至7月10日，在圣保罗赛马俱乐部举行。为环境所选择的名字是为了向一棵被钢缆悬挂的果树致敬，它是由日本的技术 “kokedama “所涉及。

A jovial, cozy and functional apartment are the main characteristics of the 44m² environment – Jabuticaba Studio, signed by Nildo José, a new promise of Brazilian architecture that, at only 27 years of age, debuts at Casa Cor São Paulo, held from May 17 to July 10, at the Jockey Club São Paulo. The name chosen for the environment is in honor of a fruit tree suspended by steel cables and wrapped by the Japanese technique calledkokedama.

为庆祝展览30周年，在 “生活是一场聚会 “的主题下，Nildo以创造一条贯穿空间四个角落的长凳为出发点。除了与一个引人注目的元素和多功能的工作问题，建筑师寻求的想法是，嵌入墙壁的混凝土家具 “总是适合多一个。

Celebrating the 30th anniversary of the show and under the theme Life is a Party, Nildo had as a starting point the creation of a bench that ran through the four corners of the space. Besides the question of working with a striking and multifunctional element, the architect sought the idea that the concrete furniture embedded in the wall “always fits one more.

“在一个好的聚会上，总是有多一个人的空间。重要的是家庭和朋友之间的友爱精神。长椅的想法与Casa Cor三十年纪念日的精神做了直接的类比。在这个空间里，坐在这里的人数没有确切的限制，总是可以多坐一个人！”，建筑师尼尔多-何塞开玩笑说。秉承整个工作室的众多角色和功能，入口处的长凳取代了帽架的位置，其灵感来自于纽约的阁楼，用来支撑游客的包、帽子和个人物品。接下来，家具变成了一个购物支架，停在那里的自行车和一篮子的产品使这个项目人性化。

“In a good party, there is always room for one more. The important thing is the spirit of fraternization among family and friends. The idea of the bench makes a direct analogy with the spirit of Casa Cor’s three-decade anniversary. There is no exact limit to the number of people sitting here in the space, there is always room for one more!”, jokes architect Nildo José. Adhering to numerous roles and functions throughout the studio, the bench at the entrance takes the place of a hat stand, inspired by New York lofts, with support for bags, hats and personal objects of the visitors. Next, the furniture becomes a shopping support, where a parked bicycle and a basket of products humanize the project.

沿着环境往里走，你会经过概念性的吧台，也是由长椅支撑的，有建筑师自己设计的枫木盒子–和地板一样–里面放着杯子、各种饮料瓶和Nildo在Bixiga街区收集的实验室玻璃器皿。同样的盒子，以及混凝土座椅，渗透到项目的其他环境中。”这些盒子是多功能的，因此，获得了多种用途，如酒吧盒、装饰物支持，如Acierno陶瓷，以及在浴室中，用于支持梳妆台，”这位专业人士解释说。

Following into the environment, you pass by the conceptual bar, also supported by the bench, with Maple wood boxes designed by the architect himself – the same as the floor -, which house cups, various bottles of drinks and laboratory glassware garnered by Nildo in the Bixiga neighborhood. The same boxes, as well as the concrete seat, permeate other environments of the project. “The boxes are versatile and, therefore, gain various uses, such as bar boxes, support for decorative objects, such as the Acierno ceramics and, in the bathroom, used to support the bathrobe,” explains the professional.

按照长椅的顺序，就在前面，家具作为餐桌的两个座位（布列塔尼）。在这个空间里，它获得了两个用于支持背部的坐垫。餐厅还有一把Jorge Zalzuspin椅子（由Etel提供）和由Claudia Moreira Salles签名的凳子（Dpot）。该凳子还可以作为壁炉中木柴的支撑物，并在另一侧作为Natuzzi沙发的边桌，作为书架。在经历了这一切之后，家具最终承担了它作为长凳的独特功能，直到它到达卧室，在那里它变成了床头柜，也是由这位年轻建筑师签署的，专门为Codex Home设计的。

Following the sequence of the bench, right in front, the furniture serves as two seats for the dining table (Breton). In this space, it gains two cushions for back support. The dining room also has a Jorge Zalzuspin chair (supplied by Etel) and a stool (Dpot), signed by Claudia Moreira Salles. The stool also serves as a fireplace wood support and functions on the other side as a side table for the Natuzzi sofa as a book support. After going through all this, the furniture finally assumes its exclusive function of being a bench, until it reaches the bedroom, where it takes its turn as a bedside table, also signed by the young architect, exclusive to Codex Home.

最后，该作品在浴缸区作为毛巾架使用。
浴室是一个黑色的盒子，里面铺着易碎的木头，内部是Mr.Cryll（Bricolagem Brasil）的混凝土饰面，这引起了人们的注意。台面采用Dekton Consentino Kairos – Silestone的饰面，由Mont Blanc Mármore执行，完美地再现了卡拉拉大理石、Doka浴缸和Deca卫生洁具。

To finish, the piece works as a towel rack in the bathtub area.
The bathroom draws attention for being a black box lined with eban wood, with a concrete interior in the Mr. Cryll (Bricolagem Brasil) finish. The countertop is produced in Dekton Consentino Kairos – Silestone’s finish, executed by Mont Blanc Marble, which perfectly reproduces the Carrara marble, the Doka bathtub and Deca sanitary ware.

在这个当代工作室里，艺术作品是一个独立的篇章。策划工作是由建筑师本人通过Instagram和访问画廊完成的；因此，有一些新的和有才华的艺术家很少被公众所知，与已建立的名字混合在一起：吉尔-维森特、亚历山大-马托斯、马丁-帕尔、吉列尔梅-利库尔戈、塞尔吉奥-卢塞纳 -等等。国家设计的名字也出现在空间中，如贾德-阿尔梅达和卡罗尔-盖伊。环境的另一个亮点是带有勒-柯布西耶签名的壁灯，（建筑师的收藏）。

The works of art are a chapter apart in this contemporary studio. The curatorship was done by the architect himself, via Instagram and visits to galleries; therefore, there are new and talented artists little known by the general public mixed with established names: Gil Vicente, Alexandre Matos, Martin Parr, Guilherme Licurgo, Sergio Lucena – among others. Names of national design are also present in the space, such as Jader Almeida and Carol Gay. Another highlight of the environment is the wall lamp, (collection of the architect) with Le Corbusier’s signature.

Architects: Nildo José
Area : 44 m²
Year : 2015
Photographs : Fran Parente
Manufacturers : Cosentino, Acierno, Deca, Arnaldo Danemberg antiquarian, Breton, Bricolagem Brasil, Brilia, Casual Furniture, Codex Home, Dpot, Duratex, Etel Interiores, Fnac, Galeria Lume, Galeria Mezanino, Kapor Pisos, Montblanc Marbles, Quaker Tecidos, Trousseau, Uniflex , Via Madeiras, Vidro Laser, Wallcovering, À La Garçonne
City：CIDADE JARDIM
Country：Brazil