与两位建筑师的意图一致，2050+项目源于现代性是永恒的信念 – 它不依赖于风格或形象，而是依赖于材料和功能。作为现代性是关于体现和改造，而不是模拟一种态度。这些立场转化为一系列有针对性的干预措施，在继承原有项目遗产的同时，与过去发展一种动态关系，旨在恢复和改造之间取得平衡。
In line with the intentions of the two architects, the project by 2050+ stems from the convictions that modernity is timeless – it does not rest on style or image, but on materials and function. Being modern is about embodying and transforming, rather than simulating an attitude. These stances translated into a series of targeted interventions that took on the legacy of the original project, while developing a dynamic relationship with the past, aiming to strike a balance between restoration and transformation.
第六层的开放标志着外墙修复的结束和新建筑项目的完成，该项目努力将建筑重新建立为市民和游客的开放空间，符合阿尔比尼和赫尔格的现代精神。
The opening of the sixth floor marks the end of the restoration of the façade and the completion of the new architectural project that strives to re-establish the building as an open space for citizens and visitors alike, in line with the modern spirit of Albini and Helg.
这些干预措施是基于战术而不是形式上的考虑。它们包括战略性地更换特定的建筑部件，目的是恢复曾经是原始项目一部分的技术和空间解决方案，同时也使Fiume广场的La Rinascente适应当代百货公司的要求。
The interventions are grounded on tactical rather than formal considerations. They include the strategic replacement of specific building components with the aim to revive both technical and spatial solutions that were once part of the original project, while also adapting La Rinascente in Piazza Fiume to the requirements of a contemporary department store.
新建的全景电梯复制了该项目1957年版本的楼梯间的形式，被视为沿院子立面结构隔断内的技术插件：它与现有的出口楼梯并排，改善了内部流线，同时提供了从院子直接进入六楼餐厅的通道，也是在营业时间之外。Fiume广场和Salaria路旁边的所有商店窗户都被替换，恢复了原来的几何形状和比例。
The newly built panoramic elevator, which replicates the form of the stairwell as designed in the 1957 version of the project, is treated as a technical insert inside the structural partition of the façade along the courtyard: it flanks the existing egress stairs, improving internal flows while providing direct access to the restaurant on the sixth floor, directly from the courtyard, also outside opening hours. All the shop windows alongside Piazza Fiume and via Salaria have been replaced, restoring original geometries and proportions.
庭院玻璃表面的透明度也得到了恢复，再次显示了自动扶梯，并恢复了其场景功能。屋顶面向奥勒良城墙的部分通过引入玻璃表面进行改造，为游客提供了一个前所未有的城市景观，从六楼的餐厅。
The transparency of the courtyard glass surfaces has also been restored, revealing once again the escalators and rehabilitating their scenographic function. The portion of the roof facing the Aurelian Walls is transformed through the introduction of a glass surface that offers visitors an unprecedented view of the city from the restaurant on the sixth floor.
在这里，内部装饰是阿尔比尼和赫尔格的建筑的一个组成部分，灯光、模块化展示、表面和灰岩墙增强了原始项目的特征。天花板设置在一个图形隔板上，将一个三角形的图案引入梁的节奏中，并扩散光线。顺着这个结构，一个模块化的展示架重新组织了地板的走向。最后，重新开放的露台为第六层提供了一个通往庭院的出口。
Here the interiors are an integral component of Albini and Helg’s architecture, with lights, modular displays, surfaces and an ashlar wall enhancing the features of the original project. The ceiling is set on a graphic partition that introduces a triangular motif into the rhythm of the beams and diffuses light. Following the structure, a modular display reorganizes the course of the floor. Finally, the reopening of the terrace provides the sixth floor with an outlet onto the courtyard.
从顶层俯瞰罗马和奥勒良城墙是一条路径的最终目的地，从Fiume广场穿过建筑，将游客直接投向城市。
The view from the top floor over Rome and the Aurelian Walls is the final destination of a path that from Piazza Fiume, cutting through the building, projects visitors straight into the city.
Architects: 2050+
Year : 2022
Photographs :Alessandro Saletta, Agnese Bedini – DSL Studio
Lighting Design : CS Progetti
Structural Project : Studio Bartoloni
Plant Project : BRE Engineering
General Contractor : CMB
Project Team : Giacomo Ardesio, Mattia Inselvini, Francesca Lantieri, Camilla Morandi, Ippolito Pestellini Laparelli, Massimo Tenan, Chiara Tomassi
Facade Restoration Consultant : Enrico Montanelli
Local Architect : PEI Engineering
Works Management : Archilabo
City : Roma
Country : Italy