Le Grand Marais是一个前250平方米的数据中心，被改造成公寓，位于巴黎Le Marais郊区的一栋上世纪70年代的建筑中。这座建筑属于巴黎最大的共有产权建筑，包括办公、住宅、露天剧场、游泳池等混合方案。因此，这个项目的第一个挑战是在公寓内唤起20世纪70年代的感觉。这一点主要通过材料的选择来实现：无处不在的有机玻璃、彩色金属细木工板、彩虹色窗帘、混凝土。此外，这个阁楼位于底层，可以俯瞰建筑的有顶循环。这是这个空间的最大特殊性，它几乎是盲目的，看不到外面的景色，光线也很少。

Le Grand Marais is a former 250sq data centre converted into a flat, located in a building dating from the 1970s on the outskirts of Le Marais in Paris. This building, belonging to the largest co-ownership in Paris, includes mixed programmes of offices, housing, amphitheatre, swimming pool, etc. The first challenge of this project was therefore to evoke the 1970s inside the flat. This was notably achieved through the choice of materials: the omnipresent plexiglass, coloured metal joinery, iridescent curtains, concrete. Moreover, this loft is located on the ground floor and overlooks the covered circulation of the building. This is the great particularity of this space, which is almost blind, with no view of the outside and little light.

基于这一观察，项目的意图是强化这一现象，而不是与之对立。因此，在空间的布局和分布上，设计上力求集中和聚焦。一个与外部的缓冲空间入口服务于三个卧室、一个卫生间和客厅，同时唤起了室内的天井。各个空间连在一起，材料从一个房间滑到另一个房间，在地板上，在墙上，甚至作为家具。这些材料相互呼应，为各空间，尤其是公寓的盲房提供了身份和分期。

With this observation in mind, the project’s intention was to intensify this phenomenon rather than to come up against it. Thus, the layout and distribution of the spaces have been designed with a view to concentration and focus. A buffer space entrance with the exterior serves three bedrooms, a bathroom, and the living room while evoking an interior patio. The spaces are linked together, the material slides from one room to another, on the floor, on the wall, or even as furniture. The materials echo each other to offer identity and staging to the spaces and in particular to the blind rooms of the flat.

除了让僵硬的空间变得旺盛的愿望之外，项目的强化还涉及到这个空间被改造的可能性，以改变它的目的地，成为一个展示厅，一个工作场所，或一个唤醒的地方，这要归功于它的双厨房，洗衣房，储物空间，投影室/健身房和卧室，可以很容易地转化为会议室。

In addition to the desire to make rigid spaces exuberant, the intensification of the project also involves the possibility for this space to be transformed to change its destination and become a showroom, a workplace, or a place of awakening thanks to its double kitchen, laundry, storage spaces, projection room/gymnasium and bedrooms that can easily be transformed into meeting rooms.

最后，唯一一个实质性的采光入口位于公寓的末端，在这里部署了四个摩天大楼。在这里，项目所追求的又是强化：位于房舍上方的露台花园从天顶海湾进入，成为一个种植的花园，直到滴入公寓。整个项目旨在提供一个梦幻般的自给自足的世界。

Finally, the only substantial light entrance is located at the end of the flat where four skydomes are deployed. Here again, it is the intensification that is sought in the project: the terrace garden located above the premises enters through the zenithal bays to become a planted jardiniere until it drips into the flat. The whole project seeks to offer a dreamlike and self-sufficient universe.

建筑师：Ubalt architectes
面积：250平方米
年份：2020年
摄影：Yohan Fontaine
制造商：Balsan, Fantini, HAY, ACOVA, Florim
构思：NASTASIA POTEL，MYLENE VASSE
灯光设计：FRANZ & FRITZ
城市:巴黎
国家：法国
Architects: Ubalt architectes
Area: 250 m²
Year: 2020
Photographs: Yohan Fontaine
Manufacturers: Balsan, Fantini, HAY, ACOVA, Florim
Conception:NASTASIA POTEL, MYLENE VASSE
Light Design:FRANZ & FRITZ
City:Paris
Country:France