我被告知，之前在广岛本多里的一栋面向拱廊的建筑的二楼，麦特公司也在将三楼装修成一个发廊。当我第一次参观三楼时，它原本是一家睫毛店，我走上一个狭窄的木制楼梯，看到一个带花园的大阳台。当我看到这个花园时，它的体积与店内一个房间的大小相同，我感到室内外空间的面积比有一种不舒服的平衡。
I was told that maitre, which had previously renovated the second floor of a building facing an arcade in Hondori, Hiroshima, was also renovating the third floor into a hair salon. When I first visited the third floor, which was originally an eyelash store, I walked up a narrow wooden staircase and saw a large veranda with a garden. When I saw the garden, which had the same volume as the size of one room in the store, I felt an uncomfortable balance in the area ratio between the interior and exterior spaces.
通过考虑基于公园主题的室内空间构成，我认为内外两个面积比相等的空间将被一个主题所连接，空间将与外部空间的性质相联系，使其成为一个有凝聚力的开放空间，尽管其面积很小。为了创造一个公园般的前景，我尽量避免使用建筑元素，如隔板和墙壁，这些都是正常空间所必须的，只是为了阻挡视线。相反，我随机放置了切割的平台，下部从天花板弯曲到地板，就像游乐场设备的滑梯。
By considering the spatial composition of the interior space based on the theme of a park, I thought that the two spaces with equal area ratios inside and outside would be connected by a single theme, and the space would be linked to the nature of the exterior space, making it a cohesive and open space despite its small size. In order to create a park-like outlook, I tried to avoid using architectural elements such as partitions and walls, which are necessary for normal spaces, just to block the line of sight. Instead, I randomly placed cut platforms with the lower part curving from the ceiling to the floor, like slides on playground equipment.
空间被分割成两个平面，通过创建一个单一的路径，用铝板在每个功能之间通过，可视化的流动线，我希望每个人都能从这个路径上想象出一个随机和自由的流动线，就像在一个公园里。沙龙的功能只是像一个随机的游乐场设备一样通过单一的路径设置。在路径的尽头，出现了一个郁郁葱葱、阳光充足的外部空间，其空间体积与内部空间相同。在保持像公园一样的外部空间的独特开放性和自由感的同时 在拥有像公园一样的外部空间的独特开放性和自由感的同时，它也是一个免受外部环境因素影响的内部空间。我相信，一个前所未有的、各方面都自由开放的空间已经被创造出来。
The space is partitioned into two planes by creating a single path that visualizes the flow line using aluminum plates to pass between each function, and I hope that each person can imagine a random and free flow line from that path, just like in a park. The function of the salon is simply set up like a random piece of playground equipment through a single path. At the end of the path, a lush and sunny exterior space with the same spatial volume as the interior appears. While maintaining the unique sense of openness and freedom of an external space like a park While having the unique openness and freedom of an external space like a park, it is also an internal space that is protected from external environmental factors. I believe that an unprecedented space that is free and open in every way has been created.
细节–以公园里的游乐场设备的形象，每个功能都是自由安排的，这使得它很难占用表面的区域。因此，一个有机形状的工作台，当它根据交通线路的不同，可以自由旋转和储存，被插入滑梯的一部分，有一个狭缝和旋转轴。表面覆盖有振动铝，并有一个圆孔，用于放置饮料架。工作台有一个偏心的旋转轴，因此，除了存放时，狭缝成为一个自由空间。在那里不是放置一个杂志架，而是插入和储存一个专门用于每个切割台的平板。
DETAIL – With the image of playground equipment in the park, each function was arranged freely, which made it difficult to take up the surface area. Therefore, an organically shaped workbench, which can be freely rotated and stored when it is in the way depending on the line of traffic, is inserted into a part of the slide with a slit and a rotation axis. The surface is covered with vibrated aluminum and has a round hole for a drink holder. The workbench has an eccentric rotation axis so that the slit becomes a free space except when it is stored. Instead of placing a magazine rack there, a tablet dedicated to each cutting table is inserted and stored.
转盘的有机形状在每个地方都会改变其形状，因此每个滑梯都有其作为游乐场设备的个性。在内部空间中，作为公园的功能被更清楚地突出，材料是简单的白色，与外部空间的性质形成对比。从入口到员工室的路径，可能是人流量最大的地方，是由铝制成的，以释放交通流量，而其余的空间则简单地用长长的浅灰色板材装饰。为了表现外部空间，装置和墙壁都涂上了聚氨酯光泽，以增加耐候性，使整个空间有一种凝聚力，仿佛是一部电影。人们接触到的部分是由铝制成的，以保证耐用性，防尘盒、饮料架和其他存储区域的孔都是由普通的圆圈制成的，类似于公园里的垃圾桶。
The organic shape of the turntable changes its shape at each place so that each slide has its own individuality as playground equipment. In the interior space, the function as a park is more clearly highlighted, and the materials are simple and white to contrast with the nature of the exterior space. The path from the entrance to the staff room, which is likely to have the most traffic, is made of aluminum to free up the flow of traffic, while the rest of the space is simply finished with long, light gray sheets. In order to express the external space, the fixtures and walls were painted with urethane gloss to increase weather resistance, giving the entire space a sense of cohesion as if it were a single film. The parts of the building that people touch are made of aluminum for durability, and the holes in the dust boxes, drink holders, and other storage areas are all made of regular circles to resemble trash cans in a park.
Architects: FATHOM
Area: 45 m²
Year: 2021
Photographs: Tatsuya Tabii
Manufacturers: Ikea, Kawajun, TAKARA BELMONT
Design:Hiroyuki Nakamoto
Direction:Taichi Enomoto
Green:Hiroshi Nagao
Steel Works:Susumu Murata
Logo Design:Kentaro Ooi
City:Hiroshima
Country:Japan