Bar Orion建筑事务所是由Tal和Gidi Bar Orian于1990年在以色列成立的一家领先的国际建筑公司，今天正式公布了其最新项目–Mapu 5–一个方形的新建住宅，位于特拉维夫白城中心的Mapu和Yehoash街的拐角处，白城是联合国教科文组织世界遗产，以其大量的包豪斯和折衷主义建筑风格建筑而闻名。在尺寸和形状上都不寻常（1.3杜曼），比该地区的典型地块大三倍，距离特拉维夫的地中海海滨长廊约200米（600英尺）–Bar Orion被委托在特拉维夫最理想的地区之一的一个被忽视的空间里构思和规划一个新建筑。该地块的废弃提供了一个迷人的机会，可以体现出一座建筑，向特拉维夫的中东-地中海结构的独特特征致敬，同时创造一个新的和现代的视觉声明。
Bar Orion Architects, a leading international architecture firm based in Israel and established by Tal and Gidi Bar Orian in 1990, today officially unveils its latest project – Mapu 5 – a square-shaped, new-build residential property located on the corner of Mapu and Yehoash Streets in the heart of Tel Aviv’s White City, a UNESCO World Heritage site known for its extensive collection of Bauhaus and Eclectic Architecture-style buildings. Unusual both in size and shape (1.3 dumans) three times larger than a typical lot in this area and some 200 meters (600 feet) from Tel Aviv’s Mediterranean seaside promenade – Bar Orion was commissioned to ideate and plan a new building in a neglected space in one of Tel Aviv’s most desirable areas. The disuse of the plot presented a fascinating opportunity to manifest a building that pays homage to the unique character of Tel Aviv’s Middle Eastern-Mediterranean fabric, all-the-while creating a new and contemporary visual statement.
马普5号在底层的花园公寓上建了五层，突出了从正面凹进去的上层楼。该建筑独特的 “H型结构 “和棱角分明的形状，以两翼的 “断裂 “来分割。这种结构定位是基于阳台利用地中海海景的指导原则。这一特点受到特拉维夫折衷主义建筑风格的启发，以适应典型的潮湿的中东天气，除了设计驱动的美学之外，还表达了城市的社会、功能和气候原则。马普5号的外墙作为一种当代的解释存在，融合了20世纪20年代初的时代精神阳台和下沉式或投影式阳台的二分法概念，模糊了每个住宅的外部和内部之间的关系。这方面创造了一种独特的视觉语言，结合了突出阳台的类型学，将私人生活暴露在街道上。下沉式阳台的类型学也描绘了一种亲密感、隐私和与内部生活空间的同质化联系。
Mapu 5 is built over five stories over a ground floor garden apartment, highlighted with an upper floor that is recessed from the front. The building’s unique version of “H typology” and angular shape is segmented with a “breakage” of the wings. This structural positioning is based on the guiding principle that the balconies utilize the Mediterranean sea views. This characteristic is inspired by the Eclectic architectural-style of Tel Aviv in adapting to the typically humid Middle Eastern weather, which expresses the social, functional, and climatic principles of the city in addition to its design-driven aesthetic. The facade of Mapu 5 exists as a contemporary interpretation merging the zeitgeist balconies of the early 1920’s and a dichotomous concept of a sunken or projected balcony, blurring the relationships between the exterior and interior of each residence. This aspect creates a distinct visual language that combines the typology of protruding balconies that reveal private life to the street. The typology of sunken balconies also portrays a feeling of intimacy, privacy, and a homogeneous connection to the inner living space.
马普5号在底层的花园公寓上建了五层，突出了从正面凹进去的上层楼。该建筑独特的 “H型结构 “和棱角分明的形状，以两翼的 “断裂 “来分割。这种结构定位是基于阳台利用地中海海景的指导原则。这一特点受到特拉维夫折衷主义建筑风格的启发，以适应典型的潮湿的中东天气，除了设计驱动的美学之外，还表达了城市的社会、功能和气候原则。马普5号的外墙作为一种当代的解释存在，融合了20世纪20年代初的时代精神阳台和下沉式或投影式阳台的二分法概念，模糊了每个住宅的外部和内部之间的关系。这方面创造了一种独特的视觉语言，结合了突出阳台的类型学，将私人生活暴露在街道上。下沉式阳台的类型学也描绘了一种亲密感、隐私和与内部生活空间的同质化联系。
Upon the initial planning stages, Bar Orion was tasked with a plot that is unique to Tel Aviv and nearly irreplicable due to new zoning laws prohibiting the use of connecting two adjoining plots. The design of the building elevates the aesthetic of the surrounding neighborhood, which is riddled with drab buildings differentiated only by the graphics on their facades. Mapu 5 creates a new architectural aesthetic of the rapidly growing city in an unprecedented way, due to the a rare gap between the rights permitted and the structural volume allowed between the building lines, leading to an architectural opportunity that positions a three-dimensional treatment. The result is an “object” that is more sculptured, asymmetrical and which frames landscapes by intertwining modernist principles such as ribbon windows, structured pergolas and the balancing the various parts of the building to create cohesion and equilibrium.
功能和环境观点也在马普5号的可视性和规划中发挥了作用–由于靠近地中海，其风化条件要求框架用螺丝固定，而不是焊接，窗台则隐藏在石膏中。此外，HPL板和铝制系统被用于大多数外墙表面，当它们结合在一起时，强调了20世纪30年代和40年代的传统材料之间的对比–在这里也可以发现饰面调色板–Washputz抹灰的栅栏、白色石膏和内部空间的马赛克铸件。这种对比是20世纪30年代在特拉维夫开花结果的实验领域的另一个阶层，至今仍在结出果实。马普5号代表的建筑既忠实于从海外带来的现代主义思想的遗产，又将其本地化，并在2020年的特拉维夫实施。
Functional and environmental perspectives also play a role in the Mapu 5’s visibility and planning – with its proximity to the Mediterranean and its weathering conditions requiring framings are screwed, not welded, and windowsills that are concealed in plaster. In addition, HPL boards and aluminum systems were used for most façade surfaces, and when combined, emphasize the contrasts between the conventional materials of the 1930s and 1940s — which can also be found in the finish palette here – the Washputz-plastered fence, the white plaster and the mosaic castings in the inner spaces. This contrast is another stratum of the experimental field that blossomed in Tel Aviv from the 1930’s, and still bears fruit today. Mapu 5 represents architecture that is true both to the heritage and localization of modernistic ideas brought from overseas and implemented in Tel Aviv of the 2020’s.
Architects: Bar Orian Architects
Area : 7300 m²
Year : 2022
Photographs :Amit Geron
Manufacturers : Parklex International S.L., Washputz
Contractor : Y’eadim
Interior Design : Buki Zuker
Civil Engineering : Ballas engineering
Landspace Architect : Lior Wolf Landscape Architects Ltd, Dan Zur
Design Team : Gidi Bar Orian, Kfir Peled, Nir Ovadia, Noam Elkabetz
Management And Supervision : WXG – Waxman Govrin Geva
City : Tel Aviv-Yafo
Country : Israel