卡萨摩根纳是另一个地方。被邻近的十九世纪末的住宅所包围，该建筑就像对未来可能的建筑的研究，似乎已经脱离了背景。周围的自然环境模拟了一个亚热带绿洲，并将住宅雕塑置于光学干扰和大气位移之间。
Casa Morgana is somewhere else. Surrounded by neighbouring homes dating from the late nineteenth century, the building is like a study for possible future architecture and seems to have fallen out of context. Surrounding nature simulates a subtropical oasis and locates the residential sculpture between optical disturbance and atmospheric displacement.
这座三层楼的建筑在形式上由几个不同大小的立方体组成，它们交错放置在彼此的顶部，由一个中央楼梯连接。现有的1972年的建筑和1991年的附属建筑被缩减到它们的外壳，然后用有针对性的干预措施重新夺回：不是作为外观的改造，而是作为一个提炼和延续建筑最初出现时的古老和野蛮的美学的地点。
The three-story building consists formally of several differently sized cubes placed at staggered levels on top of one another, connected by a central stairway. The existing building from 1972 and its annexes from 1991 were reduced to their shells and then retaken with targeted interventions: not as a cosmetic make-over, but as a location that distils and continues the archaic and brutalist aesthetic from the time of the building’s original emergence.
建筑的立方体被重点关注，建筑上增加了裸露的混凝土，并拆除了部分天花板和墙壁。交错的楼层和不同的房间高度创造了垂直联系和房间的多重序列。立体房屋在其缩小的、带家具的内部创造了一个大型住宅景观。各个区域之间的分隔元素被形成为波切室，并承担不同的功能。镜面墙反映了裸露的混凝土，水磨石装置像切开了混凝土墙，暴露了材料的内部结构。已经存在的混凝土墙经过粗略的改进，也创造了一个缩小和投射的混合体。
The cubature of the building was focused upon with architectural additions of exposed concrete and the partial removal of ceilings and walls. Staggered floors and different room heights create vertical links and manifold sequences of rooms. The cubic house creates a large residential landscape in its reduced, furnished interior. Separating elements between the individual areas are formed as poché rooms and take up different functions. The mirrored walls reflect the exposed concrete, the terrazzo installations appear like cuts through the concrete walls and expose the inner structure of the material. The roughly improved already existing concrete walls also create a hybrid of reduction and projection.
对着街道和边上的地块，建筑似乎是封闭的，避免了邻里之间的亲近。只有对着花园，它才将其单色的内部空间转向郁郁葱葱的绿色植物。大型的玻璃旋转门将整个居住区打开，进入由艺术家Tita Giese设计的竹子、树干、棕榈和蘑菇组成的绿洲。
Towards the street and the side plots, the building seems closed and avoids neighbourly proximity. It is only towards the garden that it turns its monochromatic interior toward the lush greenery. The large glass pivoting doors open the entire living area into an oasis of bamboo, tree trunks, palms and mushrooms designed by the artist Tita Giese.
Architects : J. Mayer H. Architects
Year : 2019
Photographs :David Franck
Facade Engineering : Knippers Helbig
Plantation : Tita Giese
Partners In Charge : Hans Schneider, Jürgen Mayer H.
Cooperation Partner : Michael Hartmann Architekten BDA
Country : Germany