Naked 之家位于大加那利岛的拉斯帕尔马斯，在历史悠久的工人阶级社区Guanarteme，近年来已经成为城市无节制增长的受害者。这种扩张突然改变了周围的城市结构，其中大型建筑与简陋的自建房共存。这个项目是对这些老房子之一的干预，它的诞生是为了争取另一种生活方式，是对已经存在的东西进行恢复和加强，并理解原始建筑发生的历史和文化背景是其主要资产。
Naked House is located in Las Palmas de Gran Canaria, in the historic working-class neighborhood of Guanarteme, which in recent years has become the victim of the unbridled urban growth of the city. This expansion has abruptly transformed the surrounding urban fabric, in which large-scale buildings coexist with humble self-built homes. The project, which is an intervention of one of these old houses, was born as an opportunity to claim another way of living, as an exercise of recovery and enhancing that which already exists and understanding the historical and cultural context in which the original architecture took place as its main asset.
新的方案在底层容纳了一个设计工作室，在一楼容纳了住房，在屋顶上有一个休闲区。干预措施使用紧缩的手段，包括物质和经济手段，作为塑造一个新的家庭空间的策略，创造一个允许与环境保持一定距离的室内世界。
The new program accommodates a design studio on the ground floor, housing on the first floor and a recreational area on the rooftop. The intervention uses the austerity of means, both material and economic, as a strategy to shape a new domestic space, creating an interior world that allows a certain distance to be set with the environment.
该项目的方法是从部分开始，恢复和加强庭院作为一个骨干空隙，不同的空间围绕着它被组织。它现有的缝隙被扩大，有利于视觉连接，并允许房子转向内部。以类似的方式，该建筑通过插入三个天窗从上方打开，促进了与外部的新关系，将目光引向天空，增加了自然光的进入。
The approach of the project is to work from the section, recovering and enhancing the courtyard as a backbone void around which the different spaces are organized. Its existing gaps are enlarged, favoring visual connections and allowing the house to turn towards the interior. In a similar manner, the building opens from above through the insertion of three skylights that promote a new relationship with the exterior, directing the gaze to the sky and multiplying the entry of natural light.
在材料的定义上，内部的外壳通过剥离工作变得光秃秃的，保留了建筑的历史，揭示了原始建筑的材料和施工技术。通过这种方式，混凝土板、硅石灰砖和承重墙构成了一个新的景观，结合了原始和白色饰面，在其中，光线的入射增强了不同的纹理。
In the material definition, the interior shell is made bare by a stripping exercise that conserves the history of the building, revealing materials and construction techniques of the original construction. In this way, concrete slabs, silico-lime brick and load-bearing walls make up a new landscape that combines raw and white finishes, and in which the incidence of light enhances the different textures.
按照干预的逻辑，设施的布局被理解为一个叠加层，突出了原有的和新的之间的对比。对于其余的新增元素，选择了一个简洁的材料调色板：松木用于家具和新的木工，都是定制的，微水泥用于潮湿区域，抹面混凝土用于路面，从而产生了新地板和原有屋顶之间的双重性。
Following the logic of the intervention, the layout of the facilities is understood as a superimposed layer, highlighting the contrast between the pre-existing and the new. For the rest of the added elements, a concise palette of materials is chosen: pine wood for furniture and new carpentry, all custom made, micro cement in the wet areas and troweled concrete for the pavement, thus generating a duality between the new floor and original roof.
Architects: XStudio
Area : 142 m²
Year : 2020
Photographs :David Rodríguez
Manufacturers : Roca
Lead Architect : Leticia Romero Hernández, Ancor Suárez Suárez
Design Team : Marta Hernández, Lladó Borja Pajuelo Cabrera, Tara Silva González
Constructor : Constructora MFV sl
Carpentry : Carpintería Ángel Benítez
City : Las Palmas de Gran Canaria
Country : Spain