或什么的，提供早午餐和咖啡，由设在韩国釜山的 “83设计 “工作室设计。它位于釜山的Jeonpo咖啡街。在与客户的第一次会议上，我们想知道 “Or whatever “这个品牌名称是如何成为客户心目中的名字的，并询问了它的含义。客户说，”Or whatever “是可以用一种没有任何定型的方式来表达自己，而且可以看出她的自由精神。
Or whatever serves brunch and coffee, and is designed by “design by 83” studio based in Busan, South Korea. It is located on Jeonpo Cafe Street in Busan. At the first meeting with the client, we wondered how the brand name “Or whatever” had become a name that the client had in mind, and asked about the meaning of it. The client said “Or whatever” is something that could express herself in a way that nothing is stereotyped, and it could tell a lot about her free spirit.
当我们听到客户的这些想法时，我们想用我们自己的解释来打破现有咖啡馆空间的刻板印象。 例如，我想，如果能有一个自由、轻盈、个性鲜明的空间，而不是通常的以垂直、水平和直角条为中心的咖啡馆布局，那就更好了。
When we heard these ideas from the client, we wanted to break free from the stereotypes of the existing cafe space with our own interpretation. For example, I thought it would be nice to have a free, light, and distinct personality rather than the usual cafe layout centered on vertical, horizontal, and right-angle bars.
由于在方形空间中有一个中心柱，为了减少以大圆形体为中心的建筑成本，我们将原来设施线所在的位置分为员工流和入口处的顾客流，可以从外面吸引顾客的注意力。
Since there was a central column in the square space, we divided the location where the facility line was originally located into an employee flow and the customer flow at the entrance that can draw the attention of customers from the outside in order to reduce construction costs centered on a large circular mass.
此外，我们竖起了现有商店中剩余的砖石，并利用已经抹灰的统一的复古墙作为圆形体块的背景，这也是为喜欢改造前商店友好形象的老顾客考虑。
In addition, we erected the masonry bricks remaining in the existing store and utilized the unified vintage wall that had been plastered as a background for the circular mass, which is a consideration for regular customers who like the friendly image of the store before the renovation.
支撑圆柱形体块的柱子是用桦木胶合板完成的，在这里可以感受到物理性质的自然变化，类似的特殊绘画给人以统一的感觉，这样就不会有与旧墙疏离的感觉。此外，沙发的饰面采用了简单舒适的材料，与空间相匹配的桌椅设计都采用了与空间相匹配的质地和颜色。
The pillars supporting the cylindrical mass were finished with birch plywood, where you can feel the natural change in physical properties, and a similar special painting gave a sense of unity so that there is no feeling of alienation from the old wall. Moreover, the sofa finish is made of simple and comfortable materials, and the design of tables and chairs to match the space were all designed with textures and colors that match the space.
我们希望通过使用铝板的生产性照明，从外面看时，形成的圆柱体在视觉上突出，整个玻璃外观的设计是为了统一内部和外部空间的关系（形式/纹理/颜色/气氛）。因此，我们希望通过与附近其他咖啡馆设计明显不同的空间构成的独特体验来提高顾客的满意度。
We wanted the formative cylindrical mass to stand out visually when looking from the outside through the production lighting using aluminum plates, and the whole glass exterior was designed to unify the relationship between the inside and the outside space (form/texture/color/atmosphere). Therefore, we want to increase customer satisfaction through a unique experience with a space composition that is clearly differentiated from other cafe designs nearby.
看起来，它与顾客没有完全分开，但事实上，它是完全分开的。我们希望这将是一个通过适合 “或任何 “这个词的结构来享受舒适的早午餐的空间，并允许你与顾客自然地联系。
It seems that it is not completely separated from the customer, but in fact, it is. We hope that it will be a space where you can enjoy a comfortable brunch through a structure that suits the word ‘Or whatever’ and allows you to connect with customers naturally.
Architects: design by 83
Area : 45 m²
Year : 2022
Photographs :Dong-gyu Kim
Furniture : Tt, Tt / Byung min Bae
Creative Director : Min suk Kim, Dong hyun Nam, Chan un Park
Assistant Manager : Su hyun Jo
Design Team : Han sol Jo
Construction : Han sol Jo
Senier Staff : Han sol Jo, Se hyun Lee
City : Busanjin-gu
Country : South Korea