渗透性是一个生物学术语，在这种情况下，它意在打破两种不同甚至相反事物之间的界限。这是Keputih寄宿公寓第6卷的一个基本概念，它处于分类(模糊)状态，包括一般和细节，以及强调其Nusantara方面。这个寄宿公寓，确实是用互相渗透的模式设计的。两个看似分离的东西可以合二为一，融合或者渗透，让看到的界限变得不清晰。在寄宿公寓的背景下，这两件事可以是理论和实践，行动和反应，理性和非理性，固体和虚空，外部和内部，以及许多其他事情。
Permeable is a biological term, which in this case is intended as breaking the boundary between two different or even opposite things. This is a fundamental concept of Keputih Boarding House Volume 6, which is in taxa (ambiguous) condition, both generally and in detail, as well as emphasizing its Nusantara aspect. This boarding house is, indeed, designed with a pattern that penetrates each other. Two things that seem separated can become one, blended or penetrated, to make the seen boundaries unclear. In the boarding house context, these two things can be theory and practice, action and reaction, rational and irrational, solid and void, outside and inside, and many other things.
就像在Nusantara架构中作为一个例子，不管它是在外面还是在里面，他们都不把它分开。在坎迪婆罗浮屠寺，进入意味着向上攀登，因为在外面和在里面是一样的。这座公寓也是这样，作为室外元素的树被放在室内，产生了模糊性:它是在室外还是在室内？。嗯，两者都有可能。公共空间是一个可以用于联合活动的聚集区，这是Nusantara建筑的特征之一，房间打破了个人的领地，在这里人们被塑造成对彼此更加同情。因此，这个寄宿公寓优先考虑公共空间，给用户一个聚会的空间，以及社交和互动。
Just like in the Nusantara architecture as an example, it doesn’t matter if it is outside or inside, they don’t separate it. When in the Candi Borobudur temple, entering means climbing up, because being outside is just the same as being inside. This boarding house is also like that, the tree that was an outdoor element carried inside and creates ambiguity: is it outside or inside?. Well, it can be both. Communal space is a gathering area that can be used for joint activities, which is one of the characteristics of Nusantara architecture, rooms that break individual territories, where people are shaped to have more empathy towards each other. So this boarding house prioritizes the communal space, to give the users a gathering space, as well as socializing and interacting with each other.
在Nusantara的棚屋里，地板通常由木条制成，每块木板之间几乎没有缝隙。从这些缝隙中，空气和光线在建筑内部流动。在这个公寓里，木质条板通过使用一个钢制的格栅进行了现代化改造，但是同样的用途是使空气和光线从缝隙中流通。格栅上的缝隙足够宽，可以被看穿。一楼的人可以看穿他上面的楼层。这层越来越模糊，成为一种媒介，同时也让空气和光线流通。
On Nusantara stilt houses, floors are commonly made of wooden strips that have little gaps between each board. From these gaps, air and light flow inside the building. In this boarding house, the wooden strip boards were modernized by using a steel grill, but with the same usage, to circulate the air and light from its gap. Gaps on the grill are wide enough to be see through. People on the first floor can see through the floors above him. This floor is getting ambiguous and a stepping medium while also circulating the air and light.
至于工艺，这个项目打破了建筑师和工匠之间的界限。他们不断学习:建筑师向工匠学习，反之亦然。最显而易见的是砖块的排列，它们成了这座建筑的立面。工匠们试图理解建筑师的设计和砖块排列，并通过直接在场地上尝试来制作。即使在这个项目上工作的工匠不是与Andyrahman architect一起工作的普通人，但他们的学习精神和非凡的决心，他们最终完成了一个独特的砖布局，并可以作为Keputih Boarding House Volume 6的面孔而自豪。
As for craftsmanship, this project breaks the boundaries between the architect and the craftsmen. They keep on learning: architect learns from the craftsmen, and vice versa. The most obvious thing is the arrangement of bricks that became this building’s facade. Craftsmen tried to understand the design and brick arrangement made by the architect and made it by trying directly on the field. Even though the craftsmen who work on this project are not the regular ones that work with Andyrahman architect, but their spirit of learning and extraordinary determination, they finally complete a unique brick layout and can be proud of as the face of Keputih Boarding House Volume 6.
Architects: Andyrahman Architect
Area : 330 m²
Year : 2019
Photographs :Mansyur Hasan
Lead Architect : Andy Rahman
Builder : Pandri
Architect In Charge : Cipta Hadi
City : Surabaya
Country : Indonesia