项目背景
该项目位于布宜诺斯艾利斯的Palermo Viejo社区。在最后的几十年结，这部分的城市已经面临着一个过程的gentrification和激烈的转型，它的用途，打开一个纯粹的住宅小区成了一个文化和商业之一，同时保持其低密度。这一变化过程，与设计、艺术和美食领域密切相关，改变了占用公共空间的方式，成为城市的一个旅游和国际大都市。
Context
The project is located in the neighborhood of Palermo Viejo, Buenos Aires. In the last decades, this part of the city has faced a process of gentrification and intense transformation of its uses, turning a purely residential neighborhood into a cultural and commercial one, while maintaining its low density. This changing process, strongly linked to the field of design, art and gastronomy, has modified the ways of occupying public space becoming a tourist and cosmopolitan area of the city.
商业服务面向街道，占据了街区的周边，将住宅的使用转移到内部或地面层以上。在这种情况下，修复泰晤士河畔的委托被认为是一个机会，以探索街区中心的生活方式，因为天空的持续存在。
The commercial services face the street and occupy the block’s perimeter displacing the residential uses towards the inside or above the ground floors. In this context, the commission to rehabilitate Ph Thames is presented as an opportunity to explore the way of living the center of the block caractherized by the constant presence of the sky.
十个窗户/一栋房子
随着时间的推移，该物业已经经历了多次改造，几乎没有留下任何原始建筑的痕迹。我们的工作不是基于扩展现有的区域，而是通过纳入一个新的楼梯来识别和重新定义现有空间之间的联系，以捕捉光线和框架景观。
Ten windows / a house
The property had undergone multiple transformations over time, leaving few traces of the original construction. Our work was not based on extending the existing area but rather on identifying and redefining connections between existing spaces through the incorporation of a new staircase in order to capture light and to frame the landscape.
房子分为三层，有不同规模的室外空间：一楼的通道庭院是客厅的扩展，一楼的亲密露台与卧室相连，二楼的最大露台是室外客厅。
The house is organized in 3 levels, with outdoor spaces of different scales: the access courtyard as an expansion of the living room in the ground floor, an intimate terrace linked to the bedroom in the first floor and the largest terrace as an outdoor living room in the second one.
楼梯的新体量靠在邻近的高层中间，减少了它对天井的影响，定义了房子的新围护结构。
The new volume of the staircase rests on a neighboring high-rise median, reducing its impact towards the patio and defining the new envelope of the house.
关于围护结构的项目允许我们重新思考视图和立面之间的辩证关系，通过组织一系列不同但相称大小的跨度，在每个案例中解决照明、通风和内部与外部的物理或视觉连接问题。尽管表面很小，但开口的安排允许深远的视角和从所有内部对外部的框架性感知。
The project on the envelope allowed us to re-think the dialectic between view and facade, by organizing a series of spans of different but proportional sizes which solve in each case the problems of lighting, ventilation and physical or visual connection between inside and outside. Despite the small surface, the arrangement of the openings allows deep perspectives and a framed perception of the outside from all its insides.
我们使用了非常有限的材料，强调了白墙的连续性，以增加自然光的反射效果。原有的木质地板（Pinotea）被恢复并部分地重新用于建造滑动天井门。
We worked with a very limited range of materials, emphasizing the continuity of the white walls in order to increase the reflection effect of natural light. The original wood floors (pinotea) were recovered and partially reused for the construction of sliding patio doors.
Architects: Alonso&Crippa
Area: 110 m²
Year: 2017
Photographs: Javier Agustín Rojas
Manufacturers: Microfloor, Carpinteria Becerro, Carpinteria Levar, Diosma, Fersar
Structural Calculation :Roberto Alfie
Author Architects:Mariano Alonso, Ludmila Crippa
Design Team:Pablo Galicer, Agustín Azar, Joaquín Berdes, Naomi Garay, Génesis Pestana, Alice Volpi, Giulia Brena
City:Palermo
Country:Argentina