摄影棚万神殿是为2019年Hello Wood Festival设计的,成为Hello Wood的建设者协会的纪念碑。照相馆万神殿是一个建筑,一个纪念馆,一个表演性的装置,同时也是一个工具。一个真正的照相馆,它代表了历史和当代的纪念倾向,在病毒式分享的时代,这一点变得越来越重要。

Photo Booth Pantheon was designed for Hello Wood Festival 2019 to become the monument of the Builders Society of Hello Wood. Photo Booth Pantheon is a building, a memorial, a performative installation and a tool at the same time. A real photo booth which represents historical and contemporary tendencies of remembrance, which are getting more and more important in the age of viral sharing.

万神殿、瓦哈拉、名人堂。这些地方展示了我们历史和神话中的关键人物。我们的英雄和我们的神灵在那里被保存到未来。在建设者协会中,也有关键人物、英雄和神灵。他们可以是任何人,而且每年都不同。建设者协会的这种变化反映在《你好,木头》万神殿中。因此,我们的万神殿设计在墙壁的壁龛里没有固定的雕像,那些都是等待建设者协会的成员来完成。

Pantheon, Walhalla, Hall of Fame. Places where the key figures of our history and mythology are presented. Our heroes and our gods preserved there to the future. In the Builders Society there are key figures, heroes and gods as well. They can be anyone, and they are different year by year. This kind of turnover in the Builders Society is reflected in the Pantheon of Hello Wood. Therefore our Pantheon design had no fixed statues inside in the wall niches, those were waiting for the members of Builders Society to fulfil it.

照相馆万神殿邀请所有Hello Wood的成员成为纪念馆的一部分。由于我们提案的结构,有两种类型的空间质量,参与者可以满足。

The Photo Booth Pantheon invited all the members of the Hello Wood to become part of the memorial. Thanks to the structure of our proposal, there are two types of spatial quality which the participants can meet.

一个可以简单地进入万神殿的普通内部空间,以游客、旅游者或建设者协会的信徒的身份参与。另一个可以很容易地进入万神殿的墙的空间。墙内有一个完全不同的空间,它作为未来记忆的背景运作。以理论的方式在现在和未来之间有一个无稽之谈但真实的空间。

One can simply enter to the ordinary inner space of the Pantheon, to participate as a visitor, a tourist or a believer of the Builders Society. Another can easily enter to the space of the very wall of the pantheon. Inside the wall there are a completely different space, which is operating as a background of the memories of the future. A nonsense but real space between present and future in theoretical manner.

最后,中间有一个洞。墙上的壁龛是开放的。这个壁龛是万神殿内部空间的延伸,但只能从墙上进入。这是一个特殊的洞,更像是一个入口,一个中间的门。如果有人在这个洞里出现,他们就会成为历史。他们会在一段时间内成为万神殿的半身雕像。或者,只要他们愿意就好。

And finally there is a hole in between. The wall niche which is open. This wall niche is an extension of the inner space of the Pantheon, but only accessible from the wall. It is a special hole which is more like a portal, a gate in-between. If someone become visible in this hole, they become history. They become the exhibited bust statue of the Pantheon for a while. Or, as long as they wish.

在这一点上,故事的另一条线索开始了。关于,这个万神殿也是一个照相馆,在普通空间的中间,有一个360度操作的相机。这台相机为进入的人拍了特别的照片,而他们是作为建设者协会纪念活动的一部分站立的。这些照片是方形剪裁的,因此它很容易上传到Instagram。

And at this point another thread of the story starts. Regarding to, this Pantheon is a photo booth as well, in the middle of the ordinary space there was a camera which is operated in 360 degrees. That camera took special photos of the people who entered, while they were standing as the part of the memorial of the Builders Society. These photos are square cropped hence it is easily uploadable to Instagram.

在Instagram上,这些图片代表了一个历史类型的纪念场所万神殿,它符合我们今天社会收集记忆的习惯。

On Instagram these images represent a historical type of memorial place the Pantheon which meets current habits of how our society collecting memories today.

Architects: Paradigma Ariadné
Area : 60 m²
Year : 2019
Photographs :Paradigma Ariadné GoPro01, Bujnovszky Tamás, Paradigma Ariadné GoPro02
Lead Architects : Attila Róbert Csóka, Szabolcs Molnár, Dávid Smiló
Design Team : Lilla Árkovics, Bernadett Csendes, Attila Róbert Csóka, Szabolcs Molnár, Dávid Smiló
Collaborators : Alžběta Hejnová, Juan Agustin, Esther Calinawan, Gerrylyn Saraza, Flynn Harvey Red Williams
City : Vigántpetend
Country : Hungary