Germán(1984年7月)，”Barrio de la Villa”(Vélez-马拉加)，其特点是陡峭的街道和水泥底板或灰色油漆的白墙外墙。Sira（1986年1月），”Calle de Los Naranjos”，宽敞、明亮，还有橘子树的味道。Velez-Malaga。
Germán (July 1984), «Barrio de la Villa» (Vélez-Málaga), characterized by its steep streets and whitewashed facades with cement baseboards or gray paint. Sira (January 1986), «Calle de Los Naranjos», spaciousness, light, and the smell of the orange tree. Velez-Malaga.
这个项目就像一本书，里面写着这些人物的故事。外立面将是讲述故事的纸张。最后，这栋房子是主角之间婚姻的结果，在这种情况下，他的儿子 “Paquito”。
The project is like a book in which the story of these characters is written. The facades would be the sheets in which the stories are told. Finally, the house is the result of the marriage between the protagonists, in this case, his son, «Paquito».
房子的立面呈现出一种对立的二元性。西南面是一个大天井，开放的光线和自然通风–这把我们带到了Sira所经历的感觉世界，而东北角则呈现出一种更传统的美学，白色的帆布放在灰色的混凝土基座上。这个方位的孔洞在大小和位置上都被简化，力求框住景色，直到在屋顶上找到一扇大窗户，可以看到 “Barrio de la Villa “的景色，Germán在那里长大。这块玻璃画布在倒影中捕捉到了圣玛丽亚教堂，这座城市的历史性建筑见证了两者之间的婚姻。
The house presents an antagonistic duality in its facades. While the southwest facade is open to a large patio, open to light and natural ventilation -which takes us to the world of sensations experienced by Sira-, the northeast corner presents a much more traditional aesthetic of white canvases resting on a gray concrete plinth. The holes of this orientation are simplified in size and position, seeking to frame the views, until finding a large window on the roof with views over the «Barrio de la Villa», where Germán grew up. This glass canvas captures in its reflection the Church of Santa María, a historic building in the city that witnessed the marriage between both.
要了解这个故事，我们必须爬上楼梯，在一楼我们首先看到的是西拉居住的橘子树的天井。在房子的中间楼层，我们将发现拉别墅的邻居之间的窗户开口，直到最后，我们将达到最高点：圣玛丽亚教堂的观点。
To understand this story we will have to climb the stairs, where the first thing we will see on the ground floor is the patio of the orange tree where Sira lived. In the intermediate levels of the house, we will discover the neighborhood of La Villa between the window openings, until, in the end, we will reach the highest point: the viewpoint of the Church of Santa María.
就像所有的书一样，故事的讲述离不开叙述者，同时也离不开使用钢笔作为书写工具。那么，在这个项目中，钢笔就是楼梯。
As in all books, stories are can not be told without a narrator, which at the same time uses a fountain pen as a tool to write them. Well, in this project the fountain pen is the stair.
建筑师：FOR Arquitectura
面积：1507平方英尺
年份：2020年
摄影： Juanca Lagares
制造商：AutoDesk, FYM Group, Grupopuma, Porcelanosa, Tres Griferías
结构：Luis Javier San Emeterio
合作者：Almudena Cruces、José Corpas
城市：Vélez-Málaga
国家：西班牙
Architects: FOR Arquitectura
Area: 1507 ft²
Year: 2020
Photographs: Juanca Lagares
Manufacturers: AutoDesk, FYM Group, Grupopuma, Porcelanosa, Tres Griferías
Structures:Luis Javier San Emeterio
Collaborators:Almudena Cruces, José Corpas
City:Vélez-Málaga
Country:Spain