这个公寓是德黑兰众多公寓中的一个，它深受富裕社会的中产阶级的欢迎。然而，这种受欢迎程度已经随着年轻人的角色转换和其风格固有的口头语所造成的无意义而开始下降。断裂的墙壁，最小化的空间，天花板的体积形式，不相称的装饰，材料和颜色的多样性，完全无序，混乱和言语是我们生活空间中相当一部分熟悉的风格的特点。
This apartment is one of the many apartments in Tehran which was well received by the middle class of the affluent society. This popularity, however, has began to decline with the role-taking of the youth and the pointlessness caused by the inherent verbosity of its style. Fractured walls, minified spaces, bulk forms of the ceilings, incommensurate decorations, diversity of material and color, complete disorder, chaos and verbosity are the features of this familiar style in a significant part of our living spaces.
另一方面，公寓的位置，光线和视野，显著的人均服务和通信空间，良好的建筑质量，装置等，使我们不能轻易忽视这些类型的公寓，因为他们的建筑风格的弱点。合理的解决方案是利用这些能力，恢复这些空间，就像在世界其他大城市一样。根据其居民的地位和需求进行良好的重建并创造一个理想的生活条件，似乎是一个实用的方法，可以被视为设计目标。
On the other hand, the location of the apartments, the light and view, the remarkable per capita of service and communication spaces, the good construction quality, installations, etc. make us not to easily ignore these types of apartments, for the weakness of their architectural style. The logical solution is to use these capacities and revive these spaces, as common in other large cities of the world. Good reconstruction and creating a desirable living conditions according to the status and needs of their residents, seems a practical approach and can be regarded as the design objective.
这套公寓就是其中之一；这套公寓位于一栋11层楼的第四层，占地220平方米的基础设施。这应该是一个商人和他的家人的公寓。在过去的14年里，这套公寓是他们的永久住所，现在应该是这个家庭四个成员的聚会场所。这个家庭在世界的不同角落继续着他们的生活和事业，而且有时应该在那里聚会。因此，一个任务是将一个新古典主义的公寓改造成一个现代空间。
This apartment was one of these apartments; an apartment located in the fourth floor of an eleven-story building on 220 square meters infrastructure. This has supposed to be an apartment for a businessman and his family. An apartment that was their permanent home for the last 14 years and now is supposed to be a Rendezvous for the four members of the family. A family that each continue their life and career in a different corner of the world and are supposed to gather there sometimes. So a task is transforming a neoclassical apartment in to a contemporary space.
“光线、空间和秩序 “成为我们建筑的模式
为了实现这个想法，为了一个新的生活方式和适当的规模，我们绘制了一个简单的空间组织图。为了有一个不同的，但明亮和可读的空间体验，一系列的开放关系被定义为彼此相邻。
“Light, space, and order” became the pattern of our architecture!
To achieve this idea, for a new life style and appropriate scale, a simple diagram for space organization was drawn. To have a different but bright and legible space experience, a series of open relations was defined alongside each other.
由于这个公寓的发生应该是这四个人，而不是建筑，空间被定义为简单和谦虚，以一种方式，人类的存在是项目的装饰品和空间的悬浮物 因此，使其适应新的生活方式，将象征性的价值与目前对舒适性和灵活性的要求相协调，体现在生活空间的 “清空”。
Since the occurrence of this apartment was supposed to be these four people not the architecture, the space was defined simple and modest, in a way that the presence of the humans be the decorations of the project and suspension of the space! So adapting it to new lifestyle, reconciling symbolic values with the present demands for comfort and flexibility embodied in the “emptying” of the living space.
我们的责任不仅是为公寓的内部主体创造一个现代的涂层。我们试图通过恢复平面几何和空间比例来修改操作，并创造一个家庭生活的空间流动性，以加强他们的互动，此外还通过消除不必要的墙壁和天花板来加强室内的自然采光。为了达到这个效果，我们推倒了墙壁，重新配置了布局，使这个想法有更好的流动性。
Our duty was not only create a modern coating for the internal body of the apartment. We tried to modify the operation by restoring the plan geometry and space proportionality and creating a spatial fluidity of the family life to enhance their interaction, besides enhancing the natural lighting of the indoors by eliminating the unnecessary walls and ceilings. To achieve the result, we knocked walls down and reconfigured the layout so that the idea would have better flow.
该公寓位于一栋住宅楼的中间层，这一事实造成了许多限制，如固定的结构元素和点，对安装的限制，以及天窗。然而，我们试图通过艺术、工程和管理方面的修改，尽可能地满足秩序、比例和流动性的想法，例如像客人的厕所这样的固定安装元素。
The fact that the apartment was located on the middle floor of a residential building, caused so many limitations, such as fixed structural elements and points, restrictions on installations, and skylight. Nevertheless, it was tried to give the answer to the idea of order, proportionality and fluidity in the best way possible with an artistic, engineering, and management modification of whatever possible, such as fixed installation elements like the guests toilet.
Architects: Rooydaad Architects
Area: 220 m²
Year: 2015
Photographs: Arash Ashornia
Manufacturers: Bagno Design, Barrisol, Duravit, Kale, Volakas Greek Marble
Lead Architects: Zahra Armand, Mostafa Omidbakhsh
Executive Manager:RooyDaad Architects
Executive Team:Milad Sa’edi
Design Team:Mahsa SheikhAkbari
City:Tehran
Country:Iran