在一个白色的盒子里，三个不同配置的黄色物体被单独放置。作为一个直接的结果，人们对之前空旷空间的物理体验发生了巨大的改变。人们对自己的运动、对盒子的限制以及对黄色物体的位置的感知现在不可避免地交织在一起。然而，它们的意义仍然不明确。
Inside a white box, three differently configured yellow objects are individually placed. As an immediate consequence, one ́s physical experience of the previously empty space has been dramatically altered. The perception of one ́s movement, of the box ́s limits and of the position of the yellow objects is now inevitably intertwined. Their significance, however, remains unclear.
仔细观察，它们的形状可能类似于古典建筑元素的抽象：一个拱门、一个倒下的柱子和一个基座，像拼图一样分别排列，只有在精神上放在一起时才会显现出来，唤起人们对一个（可能的）特定场地的雕塑作品的体验，与画廊房间的包含空间进行互动。
Under closer inspection, their shape might resemble an abstraction of the classical architectural elements: an architrave, a fallen column and a plinth, arranged separately as a puzzle, only to be revealed when mentally placed together, evoking the experience of a (possible) site specific sculptural piece that engages with the containing space of a gallery room.
或者说，这些黄色的物体只具有作为（可能的）家具的客观价值，是为了在其内部和顶部存放其他更小的物体而制作的。在这种情况下，它们的排列可能只是作为一种天真的尝试，在一个没有墙的公寓里创造某种空间层次，根据特定的家庭用途来标记和定义不同的区域：一个入口大厅、一个中央客厅和一个可以看到全景的卧室。这些可能性中，哪一种可能是准确的，或者说，是否有任何一种可能是准确的，这一点从未真正明确。
Or perhaps, these yellow objects only hold objectual value as (possible) pieces of furniture, produced to store other smaller objects both inside and atop of them. In such scenario, their arraignment might be justifiable simply as a naive attempt to create some kind of spatial hierarchy in a wall-less apartment, marking and defining different areas according to a specific domestic use: an entrance hall, a central living room and a bedroom with a panoramic view. It ́s never truly clear which of these possibilities might be accurate, or, if any actually is.
Architects: Corpo Atelier
Area: 30 m²
Year: 2018
Photographs: Alexander Bogorodskiy
City：QUARTEIRA
Country：Portugal