这是一个始于瑞士山区的故事，是对瑞士小说家Charles-Ferdinand Ramuz的著作的一种呼应。这个情节催生了安托万，一个奇特的建筑生物，自2014年以来欢迎许多游牧居民和自然爱好者，为他们提供巨石形象内的庇护。故事还在继续，随着2022年建成的新成员泰瑞丝的出现，成为一个简短的系列。

This is a story that began in the Swiss mountains as an echo of the writings of the Swiss novelist Charles-Ferdinand Ramuz. This plot gave birth to Antoine, a peculiar architectural creature that welcomes many nomadic inhabitants and nature enthusiasts since 2014, offering them shelter inside the figure of the boulder. The story continues, becoming a short series with the appearance of a new member, Thérése, built in 2022.

小说家Ramuz赋予这三个人物以虚构的生命。在他们的文学存在中，他们被扔进了瑞士山区的一个历史性的、悲惨的时刻，这个时刻实际发生在1714年的德布伦斯村，因为迪布勒雷兹山脉的一次重大落石导致15人和数百只动物死亡。

The novelist, Ramuz, gave fictional life to the three characters. In their literary existence, they were thrown into a historic, tragic moment for the Swiss mountains that actually occurred in 1714, in the village of Derborence, as a major rock-fall from the Diablerets mountain range killed 15 people and hundreds of animals.

作者发明的丈夫、妻子和叔叔从一开始就居住在小说的空间里，占据了许多读者的想象力。多年来，他们也成为了瑞士该地区的文化地标：这部小说是地区和历史山地文化的一部分。

The husband, wife, and uncle invented by the author inhabited, from the very beginning, the space of the novel and occupied the imagination of many readers. They have also, over the years, established themselves as cultural landmarks in that region of Switzerland: the novel is part of a regional and historical mountain culture.

随着BUREAU对这些复杂故事的参与，又多了一层内容。小说人物的身体再次被变形，在这种情况下，他们从虚构的世界变成了具有非人类形态的物理现实。他们变成了岩石，拥抱着身体，将有血有肉的居民包围在其内部的木质建筑中。

With BUREAU’s involvement in these complex stories, another layer is added. The bodies of the novel’s characters are once again metamorphosed, in this case from the fictional world, to become physical realities with non-human forms. They are transformed into rocks, embracing bodies that enclose flesh-and-bone inhabitants in their interior wooden architecture.

Thérése从这个血统中出现，延续了从Antoine开始的一个多层次的故事，并扩展了其领土范围，其共同特点是他们都属于艺术背景。Thérése的东道主背景是一块土地，”百慕大 “的艺术社区在这里定居并发展其艺术和环境活动。安托万被安装在瑞士阿尔卑斯山的三维雕塑公园（Verbier}。

Thérése emerges from this lineage, continuing a multi-layered story that began with Antoine and extends its territorial reach, with the common feature that they both belong to artistic backgrounds. Thérése’s host context is a piece of land where the artistic community of “Bermuda’ has settled and developed its artistic and environmental activities. Antoine was installed in 3-D Sculpture Park (Verbier} in the Swiss Alps.

Thérése与Antoine的想法和建造方式相同，创造了艺术和其他旅行社区的相互联系的依赖关系。她是由相互关联的影响和亲缘关系的网络构成的领土的一部分，我们对我们所占据的领土的理解，也是一系列关系性的共同居住。在这里，居住是政治性的，因为这两个庇护所不在商业或投机的路线或议程附近。他们在任何财政或经济考虑之外为许多人提供了一个地方，假设他们的谦虚。

Thérése was thought and built along the same lines as Antoine, creating interconnected dependencies of art and other traveling communities. She is part of a territory constituted by networks of interconnected influences and affinities on which we depend, understanding the territory we occupy, but also a series of relational co-habitations. Habitation is political here, as the two shelters are nowhere near commercial or speculative routes or agendas. They offer a place to many outside of any financial or economic considerations, assuming their modesty.

Architects: BUREAU
Area : 9 m²
Year : 2022
Photographs :Dylan Perrenoud
Lead Architects : Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide
Concept Design : Daniel Zamarbide, Carine Pimenta
Project Execution : Daniel Zamarbide (project manager), Pierre Musy, Chiara Pezzetta, Flavio Gorgone, Matilde Mozzi
Development And Supervision : Daniel Zamarbide, Galliane Zamarbide
Drawings : Katerina Gkimizoudi, Rui da Silva
Realisation : Max Bondu (project manager), Léo Schweiger, Simon Rousset, d’Emile Dumas, Julien Griffit, Bénédicte le Pimpec, Anabelle Voisin.
City : Sergy
Country : France