该地块位于Calle de la Font街上，地形要求很高，南北轴线上的不平整度超过4米。南面的道路，坡度超过20%，围绕着房子，直到它在北面的一个基本平坦的开放空间结束，在夏天形成一个非常愉快的空间。另一方面，该地块受益于一个非常好的朝向，全天都有阳光，并且可以看到周围的风景；Bisaura的山脉，城镇，尤其是教堂和它的钟楼。
The plot, located on the street Calle de la Font, has a demanding topography with more than four meters of unevenness on the north-south axis. The road, on the south façade, has a slope that exceeds 20% and surrounds the house until it ends in a substantially flat open space to the north, forming a very pleasant space in the summer. On the other hand, the plot benefits from a very good orientation, with sunlight all day and privileged views of the surrounding landscape; the mountains of Bisaura, the town, and, above all, the church and its bell tower.
这是一个由Vivet de Vidrà Carpentry公司开发的项目，是该地块的所有者。该项目的主要目标是，一方面，实现低环境影响和高能源效率，另一方面，以有竞争力的成本提供高质量的产品，最后，提出一个融入景观的建筑。
This is a project developed by Vivet de Vidrà Carpentry, owner of the site. The main objectives of the project are, on the one hand, to achieve low environmental impact and high energy efficiency, and on the other, to offer a high-quality product at a competitive cost and finally, proposing an architecture integrated into the landscape.
为了解决这三重目标，我们的建议是。
使用裸露的、中性的材料，想法是充分利用每种材料的特点，减少施工过程中的环境影响。因此，一个大型的混凝土基座被投射出来，解决了地块的不平整问题。整个项目的开发采用了基于层压木结构的干式建筑，三层杉木板的内部装饰，木纤维的绝缘，以及带有木水泥复合板的通风外墙。此外，还承诺尽量减少开口，并将重要的开口放在战略位置，以实现良好的太阳辐射。通过这种方式，建筑表现得非常好，因为几乎没有热桥，在整个使用期限内将消耗降到最低。
To solve this triple objective, the proposal is to:
Work with bare, neutral materials with the idea of making the most of the characteristics of each material and reducing the environmental impact in the construction process. Thus, a large concrete plinth is projected that resolves the unevenness of the plot. The entire project is developed with dry construction based on a laminated wood structure, interior finishes of three-layer fir panels, insulation of wood fibers, and a ventilated façade with a wood-cement composite panel. In addition, a commitment is made to minimizing the openings and placing the essential ones strategically to achieve good solar radiation. In this way, the building behaves fabulously well since there are almost no thermal bridges, reducing consumption to a minimum throughout their useful life.
其次，标准化和BIM建模被列为优先事项。整个空间的组织与面板的1.25模块相呼应。通过这种方式，避免了材料的浪费，大大降低了成本，在建筑过程中几乎没有产生任何废物。另一方面，平面图是对程序性效率的一种练习。在不牺牲空间质量的前提下，尽可能地减少了建筑面积。没有闲置的通道空间，整个平面图是围绕着一个潮湿的核心来组织的，它将浴室、厨房和所有的服务设施（热水管、暖气、电、排水管……）集中起来。通过这种方式，我们发现了一个高度技术化的中央空间，从而使外墙从隔离之外的技术承诺中解放出来。
Secondly, standardization and BIM modeling have been prioritized. The entire organization of the space responds to the 1.25 module of the panels. In this way, the waste of material is avoided and costs are considerably reduced and hardly any waste is generated in the building process. On the other hand, the floor plan is an exercise in programmatic efficiency. The minimum area possible has been built without sacrificing spatial quality. There are no unused passage spaces, the entire floor plan is organized around a humid core that groups bathrooms, kitchen, and all services (hot water risers, heating, electricity, drains…). In this way, we find a highly technical central space and thus the facades are freed from technical commitments beyond isolation.
最后，正式的策略和材料是阅读Bisaura景观的结果。不仅是外墙的木材、瓷砖和复合板唤起了景观和它的物质性，而且体量本身也因其小而垂直的开口和南面的大孔而引人注目。一个几乎是抽象的作品，其体积的力量在景观中脱颖而出，就像19世纪的伟大农舍一样，是维德拉的特色。
Finally, the formal strategy and materiality are a consequence of the reading of the Bisaura landscape. Not only does the wood, the tile, and the composite panel of the façade evoke the landscape and its materiality, but also the volume itself stands out with its openings, small and vertical, and the large holes on the south façade. The volumetric forcefulness of an almost abstract piece anchored to the landscape stands out, like the great farmhouses of the 19th century, so characteristic of Vidrà.
简而言之，这是一个超越环境要求和执行成本的项目，为生活的基本需求提供了一个有效的回应：一个不放弃建筑情感能力的小避难所。
In short, it is a project that, beyond environmental requirements and execution costs, provides an efficient response to the basic needs of living: a small refuge that does not renounce the emotional capacity of architecture.
Architects: Sau Taller d’Arquitectura
Year : 2022
Photographs :Andrés Flajszer
City : Vidrà
Country : Spain