展览 “一个声音/一个图像 “诞生于探索分析我们时代图像的不同方式的愿望–用策展人Maria Virginia Jaua的话说，”就像两个维度，在存在和代表之间”。

The exhibition ‘ONE VOICE / ONE IMAGE’ was born out of a desire to explore different ways of analyzing images of our time — “like two dimensions, between presence and representation,” in the words of the curator, Maria Virginia Jaua.

其结果以声音的形式呈现：13个口述，每个被邀请的艺术家都有一个，他们 “反思有时严格意义上不是他们创造的图像，但这些图像仍然居住在他们的创作中”。这些声音因此 “具体化 “了那些恰恰缺乏物质形式的作品。

The result is presented in sound form: thirteen oral deliveries, one by each of the artists invited, who “reflect on images that sometimes are not strictly of their making, but which nevertheless inhabit their creations.” The voices thus ‘materialize’ works that, precisely, lack material form.

与展览的目的相一致，并考虑到康德杜克中心拱形大厅的历史和象征意义，由Solar（Pablo Canga + Ana Herreros）设计的空间–与Marta Jarabo合作–通过一个单一的元素：镜子来探索非物质的概念。这一决定有助于产生现实的重复性，而展览作品和家具产生了反射的游戏，同时在空间中溶解，倍增，并扩大其意义。

In line with the purpose of the exhibition, and addressing the historical and symbolic weight of the Condeduque Center’s vaulted hall, the space designed by Solar (Pablo Canga + Ana Herreros) — in collaboration with Marta Jarabo — exploits the concept of immateriality through a single element: the mirror. This decision has been instrumental in generating a duplicity of reality, while the exhibition pieces and the furniture produce a play of reflections, simultaneously dissolving in the space, multiplying, and expanding their meanings.

该项目的要点集中在入口处的拱顶上。两个同样大小的抽象体–一个是垂直的，另一个是水平的–欢迎参观者，并提供必要的信息，让他们了解展览并在其中自由移动，以这种方式改进传统的展览方案，在其中图形和建筑分开运作。同时，在展示艺术家作品的房间里（分为四个主题：艺术、社会学、城市、政治），他们的声音充斥着剩下的四个拱顶，几乎没有任何在入口大厅看到的包着镜子的座位。

The gist of the project is concentrated in the entrance vault. Two abstract volumes of the same size – one vertical, the other horizontal – welcome the visitor and give the information necessary for them to understand the show and move through it freely, in this way improving upon traditional exhibition schemes in which graphics and architecture operate separately. Meanwhile, in the rooms displaying the works of the artists (organized into four themes: art, sociology, city, politics), whose voices flood the four remaining vaults, there are hardly any of the mirror-clad seats seen in the entrance hall.

该项目的根本还在于材料的再利用和手段的节约。因此，入口大厅的几何体量是回收废弃结构的结果，屏幕可以被拆开，以便更好地储存和运输，当展览结束时，座椅将成为博物馆家具的一部分。

Also fundamental to the project are reuse of materials and an economy of means. As a result, the geometry of the entrance hall’s volumes are the result of recycling structures in disuse, the screens can be taken apart for better storage and transport, and when the exhibition ends, the seats will become part of the museum’s furniture.

就像策展人委托给艺术家的作品一样，”一个声音/一个图像 “的空间设计旨在激发参观者的思考，并推动形成对图像的批判性观点，最终目的是为我们的时代发展一种叙事。

Just like the works commissioned to the artists by the curator, the design of the space for ‘ONE VOICE / ONE IMAGE’ seeks to stimulate reflection on the part of visitors, and to give an impetus to the formation of a critical view of the images, with the ultimate aim of developing a narrative for our times.

Architects: Marta Jarabo, SOLAR
Year : 2022
Photographs :Patricia Nieto, Aurea Rodríguez
Curatorship : María Virginia Jaua
Exhibition Design : Solar (Pablo Canga + Ana Herreros), Marta Jarabo
Organization : Centro de Cultura Contemporánea Conde Duque, Espai d’Art Contemporani de Castelló (EACC)
Collaborators : Formica, HD Faber, Panaled
Production Coordination : una más una
Audiovisual And Lighting Assembly : Creamos Technology
Program : Instalación
City : Madrid
Country : Spain