Yugen是日本传统美学的一个重要概念，是对深度的表达，是对无法翻译的东西的表达，是对从哲学到艺术的不可理解和抽象的表达。通过阴影与窗户和厨房的照明表面产生的光线间隔的对比，通过最终显露出来的隐藏景观，Casa Yugen对这个空间发出了非语言的邀请，在这个空间里，人们可以瞥见宇宙和我们人类状况的神秘之美。在入口处，入口大厅的弧形墙，在形状和色调上，在凹面创造了一个无限的 “平面”，它在揭示景观之前隐藏了景观。

Yugen, an important concept of traditional Japanese aesthetics, is an expression of depth, of what cannot be translated, of the incomprehensible and abstract that passes from philosophy to art. Through the contrast of shadow with the intervals of light produced by the windows and the illuminated surface of the kitchen, through the hidden landscape that eventually reveals itself, Casa Yugen makes a non-verbal invitation to the space in which one can glimpse the beauty of the mystery of the universe and our human condition. At the entrance, the curved wall of the entrance hall, in shape and tone, creates an infinite “plane” on the concave side, which hides the landscape before revealing it.

在平面上或从周围环境中看，它创造了一条中轴线，以一种有机的方式展开了没有角落的社会区域。长窗前的水镜反映了似乎漂浮的宏观盆景和白天的天空。纹理和自然光有明显的变化，创造了一个新的景观，整个白天都有太阳和水的纹理。空间在 “L “型计划的各个角落相互作用。André Gippi的Ramona扶手椅以不同寻常的方式定位，与客厅进行交流，而客厅则向前厅和厨房/餐厅开放。拥抱环境的深色墙壁框住了采光窗、鲁本斯-奥斯特罗姆的画、厨房、家具、装饰、地板和天花板，”天空和大地”。明暗对比是一种资源，它与 “Yugen “的概念相配合，在表面上突出、隐藏和模仿的元素，以玩弄作品的主角地位；在客厅里，沙发和咖啡桌与融入地板的地毯相融合。深色的书柜，以它的构成方式，模仿对面墙上的地平线，有翻倒的书，”隐藏的知识”，以及在酒吧和Alessandro Gruetzmacher的作品《Ponta do Coral I》中也有的水。

In plan or when viewed from within the surroundings, it creates a central axis that unfolds the social area without corners, in an organic way. The water mirror in front of the long windows reflects the macro bonsai that seem to float and the day sky. The texture and natural light vary markedly, creating a new landscape with textures of sun and water throughout the days. Spaces interact in all corners of the ‘L’ plan. The unusual way in which André Gippi’s Ramona armchair was positioned, communicates with the living room, while the living room opens onto the anteroom and the kitchen/dining room. The dark walls that embrace the environment frame the lighted windows, the painting by Rubens Oestroem, the kitchen, the furniture, the decoration, the floor and the ceiling, “the sky and the earth”. The chiaroscuro is a resource that plays with the concept of ‘Yugen’, in which elements are highlighted, hidden and mimicked on the surfaces, in a way that plays with the protagonism of the pieces; in the living room the sofa and coffee table merge with the rug that merges into the floor. The dark bookcase, in the way it is composed, mimics the horizon of the opposite wall, with overturned books, “hidden knowledge”, and the water that is also present in the bar and in the work ‘Ponta do Coral I’ by Alessandro Gruetzmacher.

假橡胶树 “的植物，对于内部空间来说比例很大，在起居室和厨房之间起到了物理和视觉的地标作用。大型植被的选择也与规模有关。在建筑师一贯采用的概念中，自然和建筑环境、植物和窗外的景色、自然光和灯具的光线应该相互充实。厨房，有一个纯粹的白色和白色背景，有半透明的架子照明，唤起了它没有的窗户的光。这被尼罗河石英岛所点缀，它像一块被房子占用的巨石一样有机而黑暗，并具有一定的功能。在它里面有癸水桶和晾衣架，它们似乎是在体积中被雕刻出来的。

The ‘false rubber tree’ plant, proportionately large for an internal space, works as a physical and visual landmark between the living room and the kitchen. The choice of large-format vegetation also plays with scales. In a concept always adopted by the architect in which the natural and the built environment, the plants with the view from the window, the natural light and that of the luminaires should mutually enrich each other. The kitchen, with a purist off white and white background, with translucent shelf lighting, evokes light from windows it doesn’t have. This is punctuated with the Nile Quartz island, organic and dark as a monolith that has been appropriated by the house and takes on a function. In it are the deca vat and drying rack that seem to have been sculpted in the volume.

Architects: Studio Gabriel Bordin
Area : 70 m²
Year : 2021
Photographs :Denilson Machado / Estúdio MCA
Manufacturers : Cosentino, Florense, Gorenje, Nemo Lighting, Alva Design, Deca, Indústria de Móveis América, Klaxon, MG Superfícies, NeoBox, Oriente-se Tapetes, Portinari, Quorum, Sollos – Jader Almeida, Tuboar Coifas Especiais
Lead Architect : Gabriel Bordin
Project Team : Sabrina B. Sirino, Fabiano P. Brescovit, Lucas K. Ranzan, Fernanda Sá, Vivian D. Bevilaqua, Maurício S. Rech, Tanara F. de Britto
Engineering : CA Guimarães
Client : CasaCor Santa Catarina
City : Florianópolis
Country : Brazil