安娜-特鲁约尔和艾玛-马蒂的目标是采取最小的、非侵入性的干预措施，保留空间的历史、经验和灵魂。在一个例子中，充满缺陷的marés（当地的石头）墙被保留在原来的状态，并涂成白色以保持墙的纹理。”他们解释说：”通过这种方式，它们继续拥有生命。为了实现由其材料的特点，特别是由其体积定义的透明空间，所有不属于原始建筑的典型元素都被取消了。第一次干预的结果是两个开放的空间，分布在两个楼层，非常宽敞和明亮，允许引入新用途的基本元素。干预的目的是为了获得温暖、温馨的工作空间，邀请大家分享，并鼓励创造力和开放的心态。

Anna Truyol and Emma Martí’s goal was a minimal, non-invasive intervention that would preserve the history, experiences, and soul of the space. In one example, the marés (local stone) walls, full of imperfections, were left in their original state and painted white to preserve the texture of the wall. “In this way, they continue to have life,” they explain. To achieve diaphanous spaces, defined by the character of their materials and especially by their volumes, all the elements that were not typical of the original building were eliminated. This first intervention resulted in two open spaces, distributed over two floors, very spacious and bright, allowing the introduction of the essential elements for the new use. The purpose of the intervention was to obtain warm, welcoming work spaces that invite sharing and encourage creativity and open-mindedness.

一楼被设计成一个生活空间和厨房，可以通向一个室外天井。室内的特点是定制设计的漆木厨房家具和由Artchimboldi设计的不同格式的桌子组合，它们共同创造了一个广泛的用餐、会议和工作区的表面。一块4×4米长的石板，由项目经理设计并定制，是对建筑过去的致敬，也是Artchimboldi的特色，是一件出乎意料的作品，唤醒了人们的幻觉、参与和创造力。一个古董书柜欢迎你的到来，一个带有蒲团的坐区让你可以创造一个舒适的空间来放松和阅读。到了外面，天井里有一个由艾玛-马蒂设计的游泳池，上面覆盖着米白色的微水泥。所有的安装都集中在厨房和浴室区域，从第一层到屋顶层。一楼天花板上用芬克梁加固的外观是在施工过程中决定的，一旦隔断墙被拆除。天花板被保留下来，形成了高达6米的空间，有木梁和板条以及四分之一的木梁。这种高度通过几个物体的介入得到了强调：一个大的天花板灯或上升到四米的烟囱烟道。在一楼，选择了抛光的混凝土地板，这并不追求完美的效果。

The first floor was designed as a living space and kitchen with access to an outdoor patio. The interior features custom-designed kitchen furniture in lacquered wood and a combination of tables of different formats, designed by Artchimboldi, which together create an extensive surface for meals, meetings, and work areas. A 4×4 meter slate, designed by the project managers and custom-made, is a nod to the building’s past and is a characteristic feature of Artchimboldi, an unexpected piece that awakens illusion, participation, and creativity. An antique bookcase welcomes you inside, and a sitting area with poufs allows you to create a cozy space for relaxation and reading. Once outside, the patio has a swimming pool designed by Emma Martí and covered with off-white microcement. All installations are concentrated in the kitchen and bathrooms area, from the first floor to the roof floor. The appearance of the reinforcements in the first-floor ceiling with Fink beams was a decision taken during the construction work, once the partition walls were removed. The ceilings have been maintained, resulting in spaces up to six meters high, with wooden beams and slats and quarter-timber beams. This height is emphasized by the intervention of several objects: a large ceiling lamp or the chimney flue pipe that rises to four meters. On the first floor, a polished concrete floor was chosen, which did not seek a perfect finish.

上层被设计成一个休息区。在项目开始时，许多房间都计划有浴室水槽，但这仍然是一个传统的干预。基于Artchimboldi的创意理念，八个由佛兰德斯松木制成的睡眠方块，两个双人间和六个单人间，用有机棉和羊毛被褥、亚麻床单和窗帘装扮。通过一个梯子可以进入方块的屋顶，在那里也可以睡觉。床下有一个空间可以存放行李箱、鞋子和个人物品。这个存储空间，加上安娜-特鲁约尔设计的定制书架，简化了家具的使用，使其更加灵活。在二楼，勾勒出原建筑不同房间的不同的现有地板被保留下来。屋顶被完全修复，防水，保温，并产生光输入到二楼。一方面，该项目基于恢复和加强建筑的原始特征（保持围墙、地板、天花板、外墙孔、木工的纹理……特别是其中一个玫瑰窗的蓝色玻璃）；另一方面，进行了完全不同的干预，使用松木作为项目的新纹理。

The upper floor is designed as a rest area. At the beginning of the project, many rooms with bathroom sink were planned, but it was still a conventional intervention. Based on Artchimboldi’s creative philosophy, eight sleeping cubes made of Flanders pine, two doubles and six singles, dressed with organic cotton and wool futons, linen sheets and curtains. A ladder allows access to the roof of the cubes, where it is also possible to sleep. A space under the bed allows storing suitcases, shoes and personal belongings. This storage space, together with a custom-made bookshelf designed by Anna Truyol, simplifies and makes the use of the furniture more flexible. On the second floor, the different existing flooring that outline the different rooms of the original building were preserved. The roof was completely rehabilitated, waterproofing it, insulating it thermally and generating light inputs to the second floor. On the one hand, the project is based on recovering and enhancing the original character of the building (maintaining the textures of enclosures, floors, ceilings, façade holes, carpentry… especially the blue glass of one of the rose windows); and on the other hand, on making a totally differentiated intervention, using pine wood as the new texture of the project.

Architects: Anna Truyol, Emma Martí Arquitectura
Area : 230 m²
Year : 2020
Photographs :Pol Viladoms
Manufacturers : HAY, Ikea, Marset, Santa & Cole, Smarin, VitrA, Artchimboldi, Carpintería Biniarroca, Ekobo, FLOS, Made by Hand, Nofred, Teixidors
Lead Architect : Emma Martí Arquitectura
Technical Architect : Manel Alzina Sintes
Collaborator : Cristina Pons
Construction : Construcciones Virfin SL
Carpentry : Biniarroca SL
City : Sant Lluís
Country : Spain