在全球展开的后殖民叙事中，在当代印度建立博物馆的想法取决于记忆性的回忆和平等性的游历。 印度班加罗尔的艺术和摄影博物馆，在收集–整理、包含和储存–是策展人工作的素材，以及与社区的接触之间的紧张关系上发挥了作用，将作品作为班加罗尔市生活经验的一部分，从世俗到戏剧，从异国到平等。博物馆的设计在内部将艺术和它的展示置于空间的戏剧性之上，以呈现一般的画廊空间，将珍贵的艺术和文物与紫外线隔离。
In a global unfolding post-colonial narrative, the ideas for a Museum in contemporary India hinged on excursions of mnemonic recall and equitability. The Museum of Art and Photography, Bangalore India, MAP plays on the tensions between the idea of collecting -collating, containing, and storing – which is the fodder for curatorship, and engagement with communities that embed the work as part of lived experience in the city of Bangalore, from the mundane to theatrical, and exotic to equal. The Museum design internally predicates art and its showcase over spatial dramatics to present generic gallery spaces, that insulate precious art and artifacts from ultraviolet light.
密封的不锈钢图像颠覆了原始的标志性和排他性，它选择的材料和主题在记忆上与容纳的概念相关–不锈钢后工业水箱： 平凡的、可触及的，也是指艺术（和建筑）的能力，如果需要的话，可以创造出反思和改变的推力。也许有一天，它将被认为是当地的 “水箱”（当地的水箱），以获得艺术的滋养！
The hermetically sealed stainless steel imagery subverts the pristine iconic and exclusive by the election of material and motif that is mnemonically relatable to the idea of containment – the stainless steel post-industrial water tank: The mundane-accessible also referencing Art’s (and Architecture’s) capacity to create the thrust for reflection and change if need be. Perhaps one day it would just be recognized as the local ‘tanki’ (local water tank) for artistic nourishment!
街边的 “阳台-基座 “的想法是这个地理环境中住宅和机构规模的社会话语的一个重要标志： 它的作用允许一个对话的空间来协商视觉的内脏和情感的参与。因此，”谈判的基座 “可以在人们穿越发现 “他人 “与艺术的景观时编织出脆弱和谦卑的线索。
The idea of the ‘veranda – plinth’ off the street is a significant marker of social discourse both at dwelling as well as institutional scale in this geography: Its role allows a dialogic space to negotiate visual visceral and emotional engagements. The ‘plinth of negotiations’ may thus weave threads of fragility and humility as one traverses the landscape of discovery of the ‘other’ versus art.
Architects: Mathew and Ghosh Architects
Area: 4089 m²
Year: 2023
Photographs:Iwan Baan
Manufacturers: 3M, dormakaba, Saint-Gobain, Aco, Alufit, Bottomline, Featherlite, Foley Designs, Gandhi Automations, Godrej, Grundfos, HARMAN, Haws Co., Hikvision, Hydro Fabs, Jindal Steels, Kirloskar, Kohled, Kone, Panasonic
Lead Architects: Soumitro Ghosh, Nisha Mathew
Structural Consultants: Manjunath consultants, KPM Engineering, Manjunath & Co.
Lighting Consultant: Lirio Lopez
MEP Consultants: KPM Engineering, E-Sollutions
Project Management Consultants: Kris Cooper PMC Pvt. Ltd.
HVAC Consultans: Coldaire Inc.
Electrical Installations: Southern Electrical Co.
Project Architect: Saikat Ray
Design Team: Akshay Mahale, Rahul Pingale, BS Jyothsna, Prajna Karanth, Omar Faroque
Map Architecture Advisor: Rahul Mehrotra
General Contractor : Dan Constructions Pvt. Ltd
Facade Consultants: Meinhardt Facade Technology
Accessibility Consultant: DEOC
Aluminium Facade Cladding: Alufit International Pvt. Ltd.
Fire Consultants: FirePro
Phe Consultant: Jobis Engineering
Micropiling: Compendius Engineering Solutions
Branding Consultant: TSK Design
Technology Consultant: Opezee
Signage Consultant: MIPL Global
City: Bengaluru
Country: India