该项目包括对现有建筑的内部改造，将其改造成一些小型旅游公寓。在一个经过的地块上，在海的前面，我们发现了一个两层的建筑：一层加一层，朝向大海，有一个底层的门廊；另一层加二层，朝向后街。因此，这种两层楼的形式，是一个朝向大海的交错式建筑。
The intervention consists of the interior reform of an existing building, to transform it into some small tourist apartments. In a passing plot, placed in front of the sea, we find a two-volume construction: one of ground floor plus one, which looks towards the sea and that is accompanied by a ground floor porch; and another one of ground floor plus two, which looks at the back street. This two-volume form, therefore, is a staggered building in descending sense towards the sea.
在最初的状态下，通道和楼梯，以及分布都显得混乱不整齐。该项目的所有努力都集中在以纵向的方式打开空间，这样就有可能在视觉上连接大海和后街。该战略包括安排和浓缩所有的服务，靠着党墙。楼梯、壁橱、厨房和浴室在这些墙边排成一排，并聚集在一起。因此，这些服务看起来就像厚厚的党墙。
In an initial state, both the accesses and stairs, as well as the distributions were appearing chaotically untidy. All the effort of the project centers on opening the space in a longitudinal way, so that is possible to visually connect the sea and the back street. The strategy consists in arranging and condensing all the services against the party walls. Stairs, closets, kitchens, and bathrooms line up and accumulate against these walls. So the services appear as thick party walls.
人们回应的材料倾向于手工制作的不完美……或者我们应该说是完美的？粘土作为一种简陋而平常的材料。一系列不同的作品给了不同的建设性需求一个精确的回应。Termoarcilla”，放置在边缘，显示了它的状况：它不是一个承重墙，也不是一个声学墙。”Termoarcilla “以一种温和的方式对主要空间进行调节、描述和修饰。
The materials with which one responds tend to the imperfection of handmade things… or should we have said perfection? The clay as a humble and usual material. A range of different pieces gives a precise response to the different constructive needs. The “Termoarcilla”, placed on edge, shows its condition: it’s not a bearing wall, nor an acoustic one. “Termoarcilla” modulates, characterizes and dresses in a simpering manner, the main space.
瓷砖有时覆盖在路面上，有很宽的缝隙，有时覆盖在墙壁上，有较窄的缝隙。釉面砖有时也保护水面。在某些地方，瓷砖可以保护来自铁轨的氧化物。粉碎的 “colombrins “的残留物可以作为粘土砂石使用。还有一个很长的等等。由于小的和不同的碎片的积累，以及粘土色调的轻微变化，我们认为物质化减少了规模，并设法定义一个更加家庭和人类的空间。
The tile covers, sometimes the pavement, with a very wide joint, sometimes the walls, with a narrower joint. The glazed tile sometimes also protects the water surfaces. In some points, the tile protects of the oxide coming from the iron rails. The residue of crushed “colombrins” can be used as clay gravel. And a long etcetera. Due to the accumulation of small and different pieces, as well as the slight changes in the tone of the clay, we think that the materialization reduces the scale and manages to define a more domestic and human space.
Architects: TEd’A arquitectes
Area: 398 m²
Year: 2017
Photographs: Luis Díaz Díaz
Author Architects:Irene Pérez, Jaume Mayol
Collaborators:Toni Ramis, Tomeu Mateu
Technical Architect:Guillem Mas
Promoter:Es Roure Sec
City:Palma
Country:Spain