在斯堪尼亚柔软的山丘上，在一个历史悠久的农场内，Johan Sundberg建造了一个小棚子：一个简陋的、几乎是典型的建筑，植根于传统，同时又是现代的、精致的。客户–Johan Sundberg的老客户和朋友–希望在家族拥有的土地上 “为自己以及蝙蝠和昆虫提供一个娱乐室”。
Tucked in the soft hills of Scania, on the grounds of a historical farm, Johan Sundberg built a little shed: a humble, almost archetypical building, rooted in tradition, at the same time contemporary and refined. The client – Johan Sundberg’s regular customer and a friend – wanted “a funhouse for himself, as well as for bats and insects” on a family-owned property.
棚子矗立在一个有300年历史的农舍旁边，几个世纪以来，这个农舍曾经是海滩骑手的家，坐落在一个受保护的田园风光中，有小溪的森林，周围有一个杂草丛生的果园。
The shed stands next to a 300-year-old farmhouse, which over centuries used to be home to beach riders, is nested in a protected, idyllic landscape of forests with brooks, and is surrounded by an overgrown orchard.
新的棚屋取代了20世纪50年代的破旧建筑，里面有一台拖拉机、园艺工具和一个工作室。矗立在果树之间的建筑唤起了许多图像：屋顶的角度模仿了附近的山丘，细节设计具有日本极简主义房屋的精度。相比之下，混凝土的角落引用了瑞士谷仓的设计。
The new shed replaced a dilapidated construction from the 1950s, housing a tractor, garden tools, and a workshop. The building, standing among the fruit trees, evokes many images: the roof angle mimics the nearby hills, the detailing has the precision of Japanese minimalist houses. In contrast, the concrete corners quote Swiss barns.
后者的比较，起初令人惊讶，但很容易解释。约翰-桑德伯格每年的滑雪假期激发了他研究他的祖国瑞典以外的类似气候中的乡土建筑。铸造的建筑角，除了是客户的休闲项目外，还使结构摆脱了对角线的稳定元素。在白天，光线透过外墙木板之间的缝隙照射进来，突出了其清晰、平静的结构。
The latter comparison, surprising at first, is easily explained: Johan Sundberg’s annual skiing holidays inspired him to study vernacular architecture in a similar climate outside his native Sweden. Cast building corners, except for being a leisure time project of the client, freed the structure from diagonal stabilizing elements. In the daytime, the light shines through the gaps between the wooden planks of the façade, accentuating its clear, calm structure.
没有直接的太阳光和尖锐的阴影，而是均匀的反射光，因为立面的结构就像动物的鳞片，以保护室内免受雨水和风的影响。黄昏之后，建筑变成了一个尖端的灯光雕塑，漂浮在黑暗的树木和草丛中。这些灯光让人联想到日出或日落时分出现在海面上的金线，在火光的照耀下，倍增为房子的幽灵般的形象。
There are no direct sun rays and sharp shadows, but uniform, reflected light, as the façade is structured like scales of an animal, to protect the indoors from rain and wind. After dusk, the building turns into a cutting-edge light sculpture, floating amidst darkened trees and grasses. The lights remind of the golden line appearing during sunrise or sunset above the sea, multiplied into a ghost-like image of the house, lit by a fire.
Architects: Johan Sundberg Arkitektur
Year : 2022
Photographs :Markus Linderoth
Manufacturers : Martinsons Trä AB
Structural Engineer : SG Svensson AB, Gustav Svensson
Contractor : Okse Bygg AB, Pär Stigborg
Chief Architect : Johan Sundberg
Associated Architect : Gudmund Bladh
Participating Architect : Signe Edblad
Country : Sweden