我们一直对过渡期感到特别的兴趣，即两幕之间发生的事件。那些时刻，在这个时代，通常被视为仅仅是所谓的完整之间的空隙。回家。
We have always felt a special interest in transitions, the events that happen between two acts. Those moments that, in these times, are usually treated as mere gaps between supposedly full. Getting home.
也许这一直是我们发展这个项目所遵循的最重要的想法，把住房想成是最终要达到的休息点，而我们决定描绘的正是这条道路。在某种程度上，它伴随着我们，虽然我们觉得不好意思大声说出来，因为它们是非常大的词，那就是 “科布瑟长廊 “的想法，把项目看作是一个感官序列的旅程。
Perhaps this has been the most important idea that we have followed to develop this project, to think of housing as a final point of rest that ends up being reached and it is that path that we decided to portray. In a way, it goes with us, although we feel embarrassed to say it out loud because they are very big words, that idea of the “Corbsuserian promenade”, that thinking of the project as a journey of sensory sequences.
因此，我们描述这个项目从它的到来，在感知到它响亮的关闭之前，粗糙的，在某种程度上对那些看它的人来说是可怕的，当越过上述障碍时，我们被三棵软木橡树顶和它们的薄叶接待，而混凝土板（这种材料作为一个共同的线索一直在保护我们）。我们在房子的门槛上。那个在入口前受保护的地方，但已经是它的一部分，它的建筑的一部分，那些过渡性的空间之一，很多建筑都是在此基础上参考的。
Thus, we describe this project from its arrival where, prior to the perception of its resounding closure, rough and to a certain extent surly for those who look at it, when crossing said barrier we are received by three cork oak tree tops, with their thin leaves while a concrete slab ( that material that acts as a common thread all the way) protects us. We are on the threshold of the house. That protected place prior to the entrance but that is already part of it, of its architecture, one of those transitional spaces on which so much architecture has been referenced.
松木门，让人想起其他木板在混凝土上留下的痕迹，通向一个大厅，被改造成一条走道。我们现在在房子里，沿着走道，如果我们向左看有软木橡树的天井，或者向右看附近的小灌木景观，走道就会陪伴我们。每个人都会决定他们更喜欢看什么。
The pine door, recalling the marks that other boards have left on the concrete, opens onto a hall, converted into a walkway. We are now inside the house, following the walkway that accompanies us if we look to the left over the patio with the cork oaks or if we look down to the right at a nearby landscape of small bushes. Each one will decide what they prefer to watch.
这将是楼梯，房子三层的连接，关闭了房子的第一个房间，有软木橡树的天井区域已经被留下，现在呈现出房子与外部关系的一个新方面，它的西侧。
It will be the staircase, the connection of the three levels of the house that closes the first room of the house, and the area of the patio with cork oaks have been left behind to now present the house with a new aspect of the relationship with the outside its west side.
这将是与地块西部的关系区域，我们可以理解为路线的终点，在我们决定回家的时候，我们不知道在哪里开始。一个宽敞的、响亮的、清晰的客厅通过窗户向地块的休闲区开放，这些窗户被侵入游泳池的地面的连续性所强调，使我们能够体验到房子与外部的极端联系。
It will be this area of relationship with the western part of the plot that we can understand as the end of the route that began, we do not know where at the time we decided to return home. A spacious, resounding, and clear living room opens up to the recreational area of the plot through windows that, emphasized by the continuity of the ground that invades the pool, allow us to experience the house with an extreme connection with the outside.
由于心情是多变的，比起让我们感到沉重，我们喜欢这个房子也为我们提供了一个可以退休的地方。一个亲密的、内向的、隐蔽的地方……正是在那里，那个在房子入口处为我们提供了树顶欢迎我们的天井，现在用三面强大的混凝土墙来欢迎我们，给我们一个天井，一个我们非常欣赏的经典过渡场所。
As the mood is changeable, more than weighing us down, we liked that the house also offered us a place where we could retire. An intimate, introverted, secluded place… and it is there where that patio that at the entrance of the house offered us the tops of the trees to welcome us, now welcomes us with three powerful concrete walls to give us a patio, a place of classic transition that We have admired so much.
一个美丽的花岗岩看台试图促进那里可能发生的事件，从群体的欢乐到孤独的时刻。这就是我们对这个项目的看法，从其路线、过渡和 “之间 “的空间。
A beautiful granite grandstand seeks to facilitate the events that may happen there, from the joy of the group to the moment of loneliness. This is how we like to think of this project, from its routes, transitions, and spaces “between”.
该项目在其物质化中寻求一种刻意的圆形，以及一种稀缺的材料调色板，用钢筋混凝土指导整个项目，其标记的木板模板，我们看到复制在木工和封闭的松木中。一些奇妙的花岗岩将解决其余的情况，当它是外墙时，有一个美丽的凹槽，或者，同样的石头在大板上解决了房子内部大部分的地板和覆层。
The project in its materialization seeks a deliberate roundness, as well as a scarce palette of materials, with reinforced concrete guiding the entire project with its marked board formwork that we see replicated in the pine of the carpentry and the closure. Some fantastic pieces of granite will solve the rest of the situations, either with a beautiful groove when it is the facade or, that same stone in large slabs solves the flooring and cladding of a large part of the interior of the house.
Architects: Castroferro Arquitectos
Area : 450 m²
Year : 2020
Photographs :Héctor Santos-Díez
Manufacturers : Technal, DFG PAVESTONE, Roca, Santos Cocinas
Architect In Charge : Castroferro Arquitectos
City : Nigrán
Country : Spain