在设计我们自己的工作场所时，我们希望它能够反映我们作为一个小型设计工作室的工作方式。通过绘制我们的主要活动并将其划分在整个空间中，我们在 “做事情 “的区域和进行创造性工作的区域之间创造了一个清晰的划分。我们设计了定制的家具，以帮助我们在创造和组织、推动边界和使事情发生之间进行日常的平衡行为。
When designing our own workplace, we wanted it to reflect our way of working as a small design studio. By mapping our main activities and dividing them throughout the space, we created a clear division between the area where “stuff gets done” and the area where the creative process takes place. We designed bespoke furniture items to help us to organise the daily balancing act between creating and organising, pushing boundaries, and making things happen.
区域。办公室位于阿姆斯特丹市中心的一家大型前医院内。该单元本身有75平方米，包括一个30平方米的夹层，并充斥着自然光。工作区位于底层，有一个6人工作岛（Lensvelt Studio Duo办公桌，由Marcel Wanders设计），而夹层的创作区则结合了材料库、会议桌和软座（Artifort C683沙发，由Kho Liang Ie设计）。
Zones. The office is located in a large former hospital in the centre of Amsterdam. The unit itself is 75sqm, including a 30sqm mezzanine, and is flooded with natural light. The work zone is situated on the base level with a 6-person work island (Lensvelt Studio Duo desks by Marcel Wanders), while the creating area on the mezzanine combines the material library, meeting table, and soft seating (Artifort C683 sofa by Kho Liang Ie).
托盘。 在夹层地板下的墙壁上有一个定制的侧柜，上面有100个托盘，用于组织和展示不断变化的材料调色板和所有正在进行的项目的图纸集。薄的硬板托盘承载着材料板，使其易于移动。
Trays. A bespoke sideboard with 100 trays along the wall underneath the mezzanine floor organises and displays evolving material palettes and drawing sets of all on-going projects. The thin hardboard trays carry the material boards, making it easy to move them around.
连接。夹层的钢结构是该单位建筑的一部分。新建的由胶合板制成的楼梯不仅连接了两层，而且还结合了储藏室、壁橱和印刷站等功能。一个连接楼梯雕塑和主空间的低矮平台已经成为我们坐下来讨论的首选区域。
Connection. The mezzanine’s steel structure is part of the unit’s architecture. The newly built staircase made of plywood connects not only both levels but also combines functions such as storage, a closet, and the printing station. A low podium that connects the staircase sculpture to the main space has become our preferred area to sit and discuss.
颜色方案。设计的色彩方案是尽可能的中性，以作为尚未创建的设计的白色画布。为了提亮灰色的色调，我们引入了 “绿盒子”。它位于夹层之下，包含一个书架，以展示我们的灵感来源，同时隐藏了主要的存储和茶水间等功能。为了应对大量的自然光，我们安排了一簇纸质灯罩（Jamie Hayon的&tradition Formakami灯），创造了一个温暖的、有情绪的灯光方案。
Colour scheme. The colour scheme of the design is as neutral as possible to act as a white canvas to the designs yet to be created. To brighten up the shades of grey, we introduced the “green box”. Positioned underneath the mezzanine it contains a bookshelf to display our sources of inspiration while hiding functions like the main storage and pantry at the same time. To counter the huge amount of natural light, we arranged a cluster of paper shade lamps (&tradition Formakami lamp by Jamie Hayon) that create a warm, moody light scheme.
建筑师：Ninetynine
面积：75 m²
年份：2019年
照片：Ewout Huibers
制造商: &Tradition, Lensvelt, Aeron, Forbo, Formakami, Hermann Miller, Studio Duo
承包商: Roord Binnenbouw
城市 : 阿姆斯特丹
国家 : 荷兰
Architects: Ninetynine
Area: 75 m²
Year: 2019
Photographs: Ewout Huibers
Manufacturers: &Tradition, Lensvelt, Aeron, Forbo, Formakami, Hermann Miller, Studio Duo
Contractor: Roord Binnenbouw
City:Amsterdam
Country:The Netherlands