“在那里,如果泥土是柔软的
唱出它真诚的喜悦。
我愿做一只烤鸟
并使我的小屋歌唱。

因为它的房子是所有爱和技能的中心
所有的爱和技巧。
他把它从脑袋里拿出来
并把他的心放在里面。

他用稻草和泥巴做它。
他把它做得很好。
在泥土和稻草中
是一个奇怪的建筑师”。

“El Hornero” – Leopoldo Lugones

“There, if the mud is soft,
sings its sincere joy.
I would like to be a ovenbird
and make my hut singing.

As its house is the center
of all love and skill,
he takes it out of his head
and puts his heart inside.

He works it in straw and mud,
he works it beautifully,
that in mud and straw
is a bizarre architect.”

“El Hornero” – Leopoldo Lugones

一位著名的鸟类学家在咨询这种建设性鸟类的生活方式时说:”对霍纳罗(烤炉鸟)来说,建造就是保护”。以同样的热忱,家庭建造他们的房子,目的是创造一个生命发展的家园。一个可以成长和接受家庭成员的空间。

“For the hornero (ovenbird), to build is to protect” said a renowned ornithologist when consulted about the lifestyle of this constructive bird. In the same eagerness, families build their houses, with the objective of creating a home where life develops. A space to grow and receive family members.

随着两个从自然地形中出现的体量,它清楚地表明,体积的坚实性并不是沉重的同义词。通过铝和玻璃等材料,在外墙上创造了一种轻盈的氛围,并在其内部创造了现象学的感觉。几个合理的体量,容纳了一个主要的住宅项目,并与水平元素一起创造了一个动态而和谐的形式语言。

With the two volumes that emerge from the natural terrain, it is clearly exemplified that volumetric solidity is not synonymous of heaviness. With materiality, such as aluminum and glass, a light atmosphere is created on the façade and the phenomenological sensation inside them. A couple of rational volumes, which house a predominantly residential program, and together with horizontal elements create a dynamic yet harmonious formal language.

夯土的熟练使用使我们能够将该项目和景观视为一个整体,因为由于其材料和自然纹理,它允许建筑完全适应场地的关系,并且不会对 “Los Horneros “所处的自然环境产生侵犯性的感觉。值得一提的是,该项目位于西南方向,这使得该项目有可能被视为一个生态和可持续的建筑设计。从概念上看,这种朝向旨在减少一天中大部分时间的冷却和人工照明,对于像圣贝纳迪诺这样的夏季城市来说是理想的。

The mastery in the use of rammed earth allows us to see the project and the landscape as a whole, since thanks to the materiality and its natural texture it allows a relationship in which the architecture is totally adapted to the site and does not transmit an invasive sensation to the natural context where “Los Horneros” is implanted. It is worth mentioning the southwest orientation in which the project is located, which makes it possible to consider the project as an ecological and sustainable architectural design. From its conception, this orientation seeks to reduce cooling and artificial light during most of the day, ideal for a summer city like San Bernardino is.

在其内部环境中,由于替代材料的组合,如墙和上述的方向,可以为用户提供一个舒适的内部微气候和舒适的环境。同样重要的是要提到 “Los Horneros “的空间性和住房功能,允许房屋和自然环境之间的路线具有流动性和动态性,同时也提供了一个更亲密和熟悉的住所的感觉。

In its interior environments, as a result of the combination of alternative materiality, such as the wall and its aforementioned orientation, a pleasant internal microclimate and comfort for the users is possible. It is also important to mention the spatiality and housing functionality of “Los Horneros”, allowing fluidity and dynamism in their routes between houses and their natural surroundings, also at the same time offering a perception of a more intimate and familiar shelter.

Architects: BAUEN
Area : 467 m²
Year : 2022
Photographs :Darío Mereles, Daniel Ojeda
Lead Architects : Aldo Cristaldo Kegler, José Cáceres
Participants : Dina Agüero, Jaia Vida, Romina Irala, Saúl Acosta
Country:Paraguay