由丹尼尔-利伯斯金设计的荷兰大屠杀纪念碑周围的公共空间的开发计划，是由Rijnboutt设计的。该计划旨在将纪念碑仔细地融入其周围的环境，并使用可持续的、高质量的材料，使之与纪念碑相称。
The development plan for the public space around the Dutch Holocaust Memorial of Names, designed by Daniel Libeskind, was created by Rijnboutt. The plan aims to carefully integrate the monument into its surroundings and use sustainable, high- quality materials that do justice to the monument.
位置和背景。该纪念碑位于阿姆斯特丹的Weesperstraat街。这是一个合适的位置：在城市的中心，靠近重要的犹太文化建筑，与阿姆斯特丹犹太社区的历史紧密相连。
Location and Context. The monument is located on Weesperstraat in Amsterdam. It is a fitting location: in the middle of the city, close to important Jewish cultural buildings and tied to the history of the Amsterdam Jewish community.
名字纪念馆的发展计划的出发点是与该地区的气氛和特征建立联系。与新教执事会花园和阿姆斯特丹冬宫花园一起，该地点在阿姆斯特尔河和Weesperstraat街之间创造了一系列（半）公共、绿色的户外空间。虽然这些空间都有自己的目的，可以独立运作，但它们也有联系，并通过设计、材料和植物的选择形成一个连贯的整体。
The starting point for the development plan of the Memorial of Names was to establish a link with the atmosphere and character of the area. Together with the Garden of the Protestant Diaconate and the Garden of the Hermitage Amsterdam, the location creates a series of (semi) public, green outdoor spaces between the Amstel and Weesperstraat. While the spaces each have their own purpose and can function independently, they are also connected and create a coherent whole through design, materials, and the selection of plants.
公园般的氛围。 纪念碑的公园式外观是通过使用半铺装的表面实现的。选择这种材料（天然碎石）是出于审美和实用的原因：它能让水和空气通过，因此不需要排水沟、伸缩缝或其他干预措施，并能以不间断的顺序铺设到树干上。未来在地表下的任何工作（例如电缆或管道）都不会在人行道上留下任何可见的标记，因为它可以被无缝地恢复。
Park-like Atmosphere. The park-like appearance of the monument is achieved through the use of a semi- paved surface. This material (crushed natural stone) was chosen for aesthetic and practical reasons: it lets water and air through so that no gutters, expansion joints or other interventions are needed and can be laid in an unbroken sequence up to the trunks of the trees. Any future work beneath the surface (on cables or pipes, for instance) will not leave any visible markings on the pavement because it can be seamlessly restored.
地面创造了建筑师所期望的平静、均匀的表面，因此所有的注意力都可以被引向写有大屠杀受害者名字的砖墙。半铺面的颜色是为纪念碑特别调配的，与砖和天然石的颜色相匹配。除了颜色之外，在设计过程中还对可及性和舒适性进行了监测和测试。
The ground creates the calm, even surface desired by the architect, so all attention can be directed to the brick walls with the names of the Holocaust victims. The colour of the semi-paved surface is a mix specially composed for the monument, and matches the colours of the bricks and the natural stone. In addition to the colour, accessibility and comfort were monitored and tested during the design process.
Architects: Rijnboutt, Studio Libeskind
Year: 2021
Photographs: Kees Hummel
Construction Firm: IMd Raadgevend Ingenieurs
Brickwork: Rodruza
Masonry work: Metselwerk Adviesbureau Vekemans
Client:Dutch Auschwitz Committee (project manager Paul Rohlfs)
Design:Studio Libeskind
Team Studio Libeskind:Daniel Libeskind, Stefan Blach, Johan van Lierop, Alex Tahinos, Amanda de Beaufort
Architects:Rijnboutt
Team Rijnboutt:Bart van der Vossen, Richard Koek, David Philipsen, Jan Oudeman, Jordy van der Veen, Marcel Bakker, Margret van den Broek, Marian Enders, Max Both, Patrick Kolanczyk, Paul Beijeman, Petrouschka Thumann, Rob Korlaar
Project Management:Aumento bv
Engravings:Reijnders Engraving and Laser Engineering
Semi Pavement:ecoDynamic
Trees:Ebben Tree Nursery
Beech Hedges:Quick Hedge
Steelwork:AIP partners ABT
Installations:Swart installatietechniek
Lighting Design:Ulrike Brandi Licht
City:Amsterdam
Country:The Netherlands