原来的住宅，位于毕尔巴鄂城市规则网格开始模糊的边缘之一，位于60年代由Hilario Imaz设计的一个优雅的理性主义建筑中。它呈现了一个特殊的半圆形的地板，从北到南，用宽大的窗户向外面的广场开放。我们在这里提出的是一种无偏见的方法来处理家庭问题，在这里，空间远离了那种专门和隔离空间的经典想法，打破了服务-服务、白天-夜晚和公共-私人的过时标准。我们寻求达到一个慷慨和连续的空间，没有等级或分配，内涵为非语境化的技术和对象，其中的主线是幽默。一个随时准备对空间进行不可预测的拨款的概念，能够满足其居民的家庭观念。

The original dwelling, located on one of the edges where the Bilbao urban regular grid begins to blur, is located in an elegant rationalist building designed by Hilario Imaz in the 60s. It presents a particular semi-circular floor plant opened to the outside plaza with generous windows that turn from North to South. What we propose here is an unprejudiced approach to the domestic issue where space moves away from that classic idea of succession of specialized and segregated spaces breaking the obsolete standards of serving-served, day-night and common-private. We seek to reach instead a generous and continuous space, without hierarchy or distribution, connoted with decontextualized techniques and objects, where the main thread is humour. A concept always ready for unpredictable appropriations of the space capable of satisfying the idea of domesticity of its inhabitants.

为了达到这个目的，建筑被限制到最大限度，将建筑减少到对物体的测量和仔细的安排，由于它们的颜色资格，它们与它们的原始属性的距离或它们的解除管制的特性，作为它们周围空间的激活者，允许一种开放和自由的生活风格。因此，理解该提案的本质在于寻求远离功能主义决定的物体挪用，以实现一个慷慨的和不确定的空间，它被提出。回收和DIY作为建筑技术，通过两个地板：一个是回收的马尔基纳大理石（曾经占据了厨房，它被回收并用作地毯，伴随并强调了植物的方向性），另一个是新的桦木胶合板和技术瓷砖，与新鲜和低成本的砖家材料性相联系，引入钢筋框架作为房子的中心对象，放在现有支柱之间的缠绕，黄漆。它被重新审视为房子里各种物品的载体：图书馆、记忆的储存、夜灯和玩具。它是一切，也是什么。

To reach this purpose the construction is limited to the maximum, reducing the architecture to a measured and careful arrangement of objects that, due to their chromatic qualification, their distance from their original attributes or their deregulated character, act as activators of the space around them, allowing a style of open and liberating life. Accordingly, understanding that the essence of the proposal lies in that object appropriation seeking to stay away from functionalist determinations to achieve a generous and indeterminate space, it is proposed: Recycling and DIY as construction techniques through two floors: one recycled Marquina marble (that once occupied the kitchen and it is recovered and used as a carpet that accompanies and emphasizes the directionality of the plant) and another new from Birch plywood boards and technical tiles tied to the fresh and low cost bricoleur materiality, The introduction of the steel reinforcing frame as a central object of the house, placed winding between the existing pillars, yellow lacquered. It is re-aestheticized as the carrier of the objects of the house: library, storage of memories, night lamp and toy. It is everything and it is nothing.

窗帘作为一个连续的元素，最大限度地减少了壁橱、储藏室和浴室之间的内外分离，引入了戏剧和游戏的内涵，并邀请居民用它来表演，改变空间，玩弄隐私为我们提供的超越道德的神秘、矛盾和悖论的东西。使用颜色作为家庭属性的剧本：一个黄色的桌子支撑腿，一个收集最年轻的居民的玩具的小天龛，一个隐藏厨房空气提取的粉红色鼻子，两个绿色的管子，拯救了一个旧的大理石台面，两个蓝色的门，从其支持的隔板上撕下来，显示自己是外国物体。

The curtain as a continuous element, minimizing the inside-outside that separates closets, pantry and bathrooms introducing theatrical and playful connotations and inviting the inhabitant to perform with it, to change the space and to play with the mysteries, contradictions and paradoxes that privacy offers us beyond morality. The use of colour as the screenplay for the domestic attributes: a yellow table support leg, a small celestial niche that collects the toys of the youngest inhabitant, a pink nose that hides the kitchen air extraction, two green tubes that rescue an old countertop of marble and two blue doors that ripped from their supporting partition show themselves as foreign objects.

Architects: azab
Area : 90 m²
Year : 2019
Photographs :Luis Diaz Diaz
Manufacturers : HAY, Ikea, Berker, Cinca, Etap Lighting, Kvadrat, Roca, Sancal
Lead Architects : Cristina Acha, Ane Arce, Miguel Zaballa, Iñigo Berasategui
City : Bilbao
Country : Spain