该项目将一个50年代的公寓改造成一个超现实的场景，现实和虚构在一个准戏剧性的场景中共存。由于其两位创始人的多学科方法，该工作室在一个融合了建筑、戏剧、音乐和插图的项目中庆祝了图形标志。
The project transforms a 1950s apartment into a surreal set where reality and fiction coexist in a quasi-theatrical scene. Thanks to the multidisciplinary approach of its two founders, the studio celebrates the graphic sign, in a project that fuses architecture, theatre, music, and illustration.
为了与客户（一对年轻夫妇）的愿望保持一致，建筑师一方面在当地工匠的帮助下，恢复了先前存在的威尼斯水磨石地板，另一方面，他们完全打乱了内部分布，为新的故事性让路。
In alignment with the wishes of the clients – a young couple – the architects have, on the one hand with the help of local craftsmen, recovered the pre-existing Venetian terrazzo flooring, while on the other they have completely disrupted the internal distribution to give way to new storytelling.
从插入新材料开始，与原来的划分痕迹相对应，生活区由黑色和波提契诺大理石的清晰带子定义。沿着走廊的区域采用了原来的地板设计，用粉红色的粘结剂和波兹兰粉，而卧室则采用了砖红色的微水泥的温暖色调。其结果是不同纹理和颜色的设计组合，创造出一种 “拼贴 “效果，与绝对白色的抹灰墙形成对比。
Kicking off with the insertion of new materials in correspondence with the traces of the original divisions, the living area is defined by a clear band in black and Botticino marble. The area along the corridor takes up the original design of the flooring with a pinkish binder with pozzolan powder, while the bedroom is tinged with the warm nuances of brick red micro cement. The result is a combination of designs in different grains and colours that creates a “collage” effect, in contrast with the absolute white of the plastered walls.
公寓沿着主墙纵向展示自己，这代表了私人和代表空间之间的界限，并创造了一个由三个不同元素点缀的景观。
The apartment reveals itself longitudinally along the main wall, which represents the limit between private and representative space and creates a landscape punctuated by three different elements.
一个白色漆面的桥式衣柜隐藏着一个小书房：读者的避难所，一个亲密的、沉默的空间，与家庭的其他部分隔离。一扇灰蓝色的平移到墙上的门，似乎是画上去的，让人可以进入用白色马赛克覆盖的、具有对比性的接缝的浴室，被一个椭圆形的通道切开，可以看到孔雀色珐琅的后墙和站立的自由盥洗池。最后，一扇拱形的经典蓝漆木门通向睡眠区，线条清晰，气氛温馨。这扇门的木质轮廓向餐厅方向突出70厘米，是起居区的中心，并将厨房家具隐藏起来。
A white lacquered bridge wardrobe hides a small study: the reader’s refuge, an intimate, silent space, isolated from the rest of the home. A grey-blue flush-to-the-wall door that seems drawn on, gives access to the salle de bain covered in white mosaic with contrasting joints, cut by an ogival passage which gives a glimpse the back wall in peacock-colored enamel and the free washbasin standing. Finally, an arched door in classic blue lacquered wood leads to the sleeping area with clear lines and a welcoming atmosphere. The door, with its wooden profile that juts out 70cm towards the dining room, is the centerpiece of the living area and hides the kitchen furniture from view.
客厅是房子里最大的空间：一个黄色的窗帘沿着被拆除的隔断运行，勾勒出各区域的轮廓，并在不同功能之间画出一个柔和的边界。
The living room is the largest space in the house: a yellow curtain runs along with the demolished partition, outlining the areas and drawing a soft border between the different functions.
Retroscena为这所房子提供了一个俏皮和梦幻的愿景。大胆的色彩选择和精明的设计技巧赋予了室内的个性，将焦点转向了居民，一个充满惊喜的戏剧–和建筑–的主人公。
Retroscena offers a playful and fantastic vision of the house. Bold color choices and savvy design tricks give personality to the interiors, turning the spotlight on the inhabitants, protagonists of a theatrical – and architectural – piéce full of surprises.
Architects: La Macchina Studio
Area: 75 m²
Year: 2020
Photographs: Paolo Fusco
Design Team:Gianni Puri, Enrica Siracusa
City:Roma
Country:Italy