树屋位于分离溪的灌木丛边缘，坐落在大洋路和巴斯海峡上方的一个陡峭的森林山坡上。这是一个享有独特的丛林环境与分离溪、海滩和怀伊河半岛的亲密景观相结合的地方。
The treehouse is sited in the bush fringe of Separation Creek, perched on a steep forested hillside above the Great Ocean Road and Bass Strait. It is a site that enjoys a unique combination of bush environment with intimate views of Separation Creek, the beach and the Wye River Peninsula to beyond.
树屋位于分离溪的丛林边缘，坐落在大洋路和巴斯海峡上方的一个陡峭的森林山坡上。这是一个享有独特的丛林环境与分离溪、海滩和怀伊河半岛的亲密景观相结合的地点。
The treehouse is sited in the bush fringe of Separation Creek, perched on a steep forested hillside above the Great Ocean Road and Bass Strait. It is a site that enjoys a unique combination of bush environment with intimate views of Separation Creek, the beach and the Wye River Peninsula to beyond.
场地的陡峭程度、景观控制和山体滑坡的可能性导致了建筑围护结构的限制。这些限制（或机会）导致我们探索出一种敏感而雕塑化的反应，通过呼应一棵有树枝的树，使其占地面积最小化，房间在中央树干的各个方向都有分支和悬臂，以利用视野、通道和方面的优势。
The steepness of the site, landscape controls and landslip potential resulted in a limited building envelope to work within. These constraints (or opportunities) led us to explore a sensitive yet sculptural response that minimised it footprint by echoing in form a tree with branches, with rooms branching and cantilevering in all directions of a central trunk to take advantage of views, access and aspect.
一个适度的简报要求建立一个有三个卧室的住宅和相关的生活空间。
上层设计包括一个带书房的入口分支，西边的阳光房，以及从核心区悬挑出约6米的生活区和甲板，俯瞰下面的海洋和海滩。在低半层，主卧室侧翼从楼梯着陆处跳到东边的灌木丛中。
A modest brief called for a three bedroom residence with associated living spaces.
Upper level projections include an entry branch with study, a sunroom to the west, and a living area and deck cantilevering some 6m meters from the core overlooking the ocean and beach below. At a half level lower, the master bedroom wing springs from the stair landing into the bush to the east.
饭厅和厨房构成了建筑的上层核心，而另外两间卧室、浴室和洗衣房则完成了下层的住宿。
在其应用材料方面，树屋借鉴了当地1950年油漆纤维棚屋的适度做法，带有水泥板衬里和接缝处的明板。树屋上使用的水泥板被涂成两种绿色，这有助于将建筑与山坡上的植被融合在一起，并加强其与景观的关系。建筑物上的垂直木条是一种自然染色的木材，随着时间的推移，会像灌木丛中的树枝和树干一样呈现银色。
A dining room and kitchen make up the upper level core of the building, whilst two further bedrooms, bathroom and laundry complete the lower level accommodation.
In its applied materiality, the treehouse draws on the modest local vernacular of 1950’s painted fibro shacks with cement sheet lining and expressed battens over joints. The cement sheet panels used on the treehouse are painted in 2 tones of green that help merge with building with the vegetation on the hillside in which it sits and reinforce its relationship with the landscape. The vertical timber battens on the building are a naturally stained timber, which will silver over time like the branches and trunks of trees within the bush.
雕塑般的形式和相关的色彩方案使建筑形式既能与景观相联系，又能将其溶入其中。两种色调的绿色在灌木丛中拾起了颜色的变化和光影，并有效地减少了景观中物体的质量。一天中光线强度的变化进一步影响了颜色，从而使建筑与周围环境的关系变得更有吸引力和动态。
The sculptural form and associated colour scheme allow the built form to both connect with the landscape and to dissolve it within it. The two tones of green pick up on colour variations and light and shade within the bush, and effectively reduce the mass of the object within the landscape. Varying light intensities across the course of the day further affects the colours and consequently the buildings relationship with its context in an engaging and dynamic way.
Architects : Jackson Clements Burrows
Area : 220 m²
City：SEPARATION CREEK
Country：Australia