特罗维斯卡尔村仍然具有农村特色。现有的房屋，一般都是孤立的，而且往往是单层结构，显示出农田的特点。要恢复的房子带来了新的东西。也许它不是最博学的建筑模型 – 但它有一个特点。它可能建于40年代或50年代，反映了一种具有巴西特色的语言，介于新新古典主义和风景画之间，受到野生花园和美丽树木的刺激。
Troviscal village still has a rural character. The existing houses, generally isolated, and very often with a single-storey structure, reveal the agricultural fields. The house to be recovered brought something new. Perhaps it was not the most erudite architectural model – but it had a character. Probably built in the 40s or 50s, it reflected a language with Brazilian references, between the neo-neo-classical and the picturesque, stimulated by the wild garden and beautiful trees.
我们面临的挑战是要确定什么是重要的。加强建筑而不消除其连贯性，驯服花园而不消除其自发性。在主要建筑上增加了无限的小建筑，它们分布在土地上，用于支持农业活动。
The challenge was to identify what mattered. Reinforce architecture without removing its coherence and taming the garden, without removing its spontaneity. To the main construction were added infinite smaller constructions, that were spread through the land, and that served to support the agricultural activities.
第一个决定是隔离主建筑，并从那里开始工作，意识到必须引入新的房间。这个扩建部分，加上凉棚和车库，是一个新的体积体，它寻求与主屋的交流，不是通过同化，而是通过连续，通过对被确定为基本的建筑元素的解释模仿： – 凉亭（入口） – 房间，有一个八角形的窗户。
The first decision was to isolate the main building and work from there with the awareness that it would be imperative to introduce new rooms. This extension, to which the pergola and the garage are added, is a new volumetric body, that seeks communion with the main house, not by assimilation but by continuity, through the interpretative mimicry of the architectural elements identified as fundamental: – The loggia (entrance) – The room, with its octagonal window.
因此，新的体积靠着主屋，其形状反映了房间的设计，这次是负面的，象征性地构成了与花园连续的 “外部房间”，但从其周围环境中突出。所有正式的工作都是基于关于 “弧 “的经验，在不同的几何形状和不同的平面。在某种程度上，房子的建筑语言被综合起来了。
Consequently, the new volume leans against the main house and its shape reflects the design of the room, this time in negative, symbolically constituting the “outside room” in continuity with the garden, but that stands out from its surroundings. All formal work is based on experiences about the “arc”, in different geometries and in different planes. In a way, the architectural language of the house was synthesized.
蓝色的颜色，在不同的灰泥覆盖层中发现，诚然是旺盛的，有双重功能：新旧之间的一致性，以及在与花园和周围环境的关系中恢复其偏心。
The blue color, found in the different layers of plaster overlaid, admittedly exuberant, has a double function: the coherence between the old and the new, as well as recovering its eccentricity in the relationship with the garden and the surroundings.
Architects: M2.senos arquitectos
Area: 286 m²
Year: 2021
Photographs: Do mal o menos
Manufacturers: AutoDesk, VELUX Commercial, Sosoares, ENAT, GEBERIT TECNOLOGIA SANITÁRIA, ROCAE, SICAM
Lead Architects: Ricardo Senos, Sofia Senos
Client:Mendes
Engineering:Pedro Tavares
Construction:Mário Nunes Pardal
Oversight:Pedro Tavares
Topographic Survey:João Ferreira
Graphic:Artur Fino
City:Troviscal
Country:Portugal